Perphoto Biblio

  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Stage Photography

    Performing Time / Lütticken, Sven

    Lütticken, Sven, «Performing Time». Art Journal, 70,  3, (2011), pp. 41-44

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  • Stage Photography

    Getting it Right … Zooming Closer / Athey, Ron

    Athey, Ron, «Getting it Right … Zooming Closer». Art Journal, 70,  3, (2011), pp. 38-40

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  • Stage Photography

    Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s / O’Dell, Kathy

    O'Dell, Kathy, «Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s». Performance Research, 2,  1, (1997), pp. 73-81

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  • Stage Photography

    Capturing Absence: Walking Performance and Photography / Fischer, Ralph

    Fischer, Ralph, «Capturing Absence: Walking Performance and Photography». About Performance; Sydney, ,  8, (2008), pp. 91-108,231-232

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  • Stage Photography

    Between Evidence and Representation: A New Methodological Approach to the History of Performance Art and Its Documentation / Gusman, Tancredi

    Gusman, Tancredi, «Between Evidence and Representation: A New Methodological Approach to the History of Performance Art and Its Documentation». Contemporary Theatre Review; Abingdon, 29,  4, (2019), pp.

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  • Uncategorised

    An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation / Young, Gillian Turner

    Young, Gillian Turner, «An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation». TDR: The Drama Review, 58,  2, (2014), pp. 115-131

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  • Uncategorised

    Anne-Marie Boisvert, Manon Oligny, and Thomas Israël: Three Artists in Search of Cindy Sherman / Callens, Johan

    Callens, Johan, «Anne-Marie Boisvert, Manon Oligny, and Thomas Israël: Three Artists in Search of Cindy Sherman». TDR: The Drama Review, 54,  1, (2010), pp. 39-58

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  • Uncategorised

    Sordid Ironies and the Short-Fingered Vulgarian Alison Jackson’s Mental Images / Perucci, Tony

    Perucci, Tony, «Sordid Ironies and the Short-Fingered Vulgarian Alison Jackson's Mental Images». TDR: The Drama Review, 62,  1, (2018), pp. 191-200

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  • Uncategorised

    Between the Image and Anthropology: Theatrical Lessons from Aby Warburg’s “Nympha” / Gough, Kathleen M.

    Gough, Kathleen M., «Between the Image and Anthropology: Theatrical Lessons from Aby Warburg's "Nympha"». TDR: The Drama Review, 56,  3, (2012), pp. 114-130

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  • Uncategorised

    The History and Aesthetics of the Classical Film Still / Jacobs, Steven

    Jacobs, Steven, «The History and Aesthetics of the Classical Film Still». History of Photography, 34,  4, (2010), pp. 373-386

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