Perphoto Biblio

  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Performativity of photography,  Photography on Stage

    A Musical Photograph? / Beaudoin, Richard; Kania, Andrew

    Beaudoin, Richard; Kania, Andrew, «A Musical Photograph?». The Journal of Aesthetics and Art Criticism; Philadelphia, 70,  1, (2012), pp. 115-127

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  • Performativity of photography,  Performed Photography

    The “eternal return”: Self-portrait photography as a technology of embodiment / Jones, Amelia

    Jones, Amelia, «The "eternal return": Self-portrait photography as a technology of embodiment». Signs; Chicago, 27,  4, (2002), pp. 947-978

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  • Stage Photography

    Marionette Photographs by André Kertész / Phillips, Sandra S.

    Phillips, Sandra S., «Marionette Photographs by André Kertész». Performing Arts Journal, 7,  3 [21], (1983), pp. 115-120

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  • Uncategorised

    Recording the Theatre in Photographs / Schmitt, Natalie Crohn

    Schmitt, Natalie Crohn, «Recording the Theatre in Photographs». Educational Theatre Journal, 28,  3, (1976), pp. 376-388

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  • Uncategorised

    Refashioning Cordelia, Ophelia, and Juliet: The Strength of Julia Margaret Cameron’s Suffering Women / Parlin, Melissa

    Parlin, Melissa, «Refashioning Cordelia, Ophelia, and Juliet: The Strength of Julia Margaret Cameron's Suffering Women». Selected Papers of the Ohio Valley Shakespeare Conference, 2,  , (2008), pp. 30-42

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  • Uncategorised

    The Unmasking of Clichés: Photographs and Memory on Stage in Harold Pinter’s No Man’s Land / Marzola, Alessandra

    Marzola, Alessandra, «The Unmasking of Clichés: Photographs and Memory on Stage in Harold Pinter's No Man's Land». GRAAT: Groupe de Recherches Anglo-Américaines de Tours, 16,  , (1997), pp. 121-127

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  • Stage Photography

    Performing Time / Lütticken, Sven

    Lütticken, Sven, «Performing Time». Art Journal, 70,  3, (2011), pp. 41-44

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  • Stage Photography

    Getting it Right … Zooming Closer / Athey, Ron

    Athey, Ron, «Getting it Right … Zooming Closer». Art Journal, 70,  3, (2011), pp. 38-40

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  • Stage Photography

    Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s / O’Dell, Kathy

    O'Dell, Kathy, «Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s». Performance Research, 2,  1, (1997), pp. 73-81

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  • Stage Photography

    Capturing Absence: Walking Performance and Photography / Fischer, Ralph

    Fischer, Ralph, «Capturing Absence: Walking Performance and Photography». About Performance; Sydney, ,  8, (2008), pp. 91-108,231-232

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