All Entries - Perphoto Biblio

Cruzamentos históricos: teatro e tecnologias de imagem / Isaacsson, Marta

Isaacsson, Marta, «Cruzamentos históricos: teatro e tecnologias de imagem». Artcultura, 13, 23, (2011), pp. 7-22
The Speed of Broken Light: A meditation on duration and performance / Hiebert, Ted

Hiebert, Ted, «The Speed of Broken Light: A meditation on duration and performance». Performance Research, 17, 5, (2012), pp. 82-91
Touching to See / Arnaud, Jean

Arnaud, Jean, «Touching to See». October, 114, , (2005), pp. 5-16
The Theatricality of Grief / Wilson, Harry Robert

Wilson, Harry Robert, «The Theatricality of Grief». Performance Research, 24, 4, (2019), pp. 103-109
Sleep, Laziness and Making / Wakefield, Nik

Wakefield, Nik, «Sleep, Laziness and Making». Performance Research, 21, 1, (2016), pp. 126-131
The Performance Document: Assimilations of Gesture and Genre / Maude-Roxby, Alice; Li, Dinu

Maude-Roxby, Alice; Li, Dinu, «The Performance Document: Assimilations of Gesture and Genre». Photography and Culture, 11, 2, (2018), pp. 197-209
Becoming-one; A Duologue in Practice / Waeckerle, Emmanuelle; Vason, Manuel

Waeckerle, Emmanuelle; Vason, Manuel, «Becoming-one; A Duologue in Practice». Photography and Culture, 11, 2, (2018), pp. 169-180
Gina Pane’s Witnesses / Blessing, Jennifer

Blessing, Jennifer, «Gina Pane’s Witnesses». Performance Research, 7, 4, (2002), pp. 14-26
The Self/portrait Effects and Dance Performance / Tomić-Vajagić, Tamara

Tomić-Vajagić, Tamara, «The Self/portrait Effects and Dance Performance». Performance Research, 19, 5, (2014), pp. 82-92
Pathos, Pathology and the Still-Mobile Image a Warburgian Reading of Held by Garry Stewart and Lois Greenfield / Marshall, Jonathan

Marshall, Jonathan, «Pathos, Pathology and the Still-Mobile Image a Warburgian Reading of Held by Garry Stewart and Lois Greenfield». About Performance; Sydney, , 8, (2008), pp. 180-206,233-234
Coffins and Cameras: A conversation with Sheree Rose / Scarborough, Klare

Scarborough, Klare, «Coffins and Cameras: A conversation with Sheree Rose». Performance Research, 15, 1, (2010), pp. 123-130
Oracular Practice, Crip Bodies and the Poetry of Collaboration / Kuppers, Petra

Kuppers, Petra, «Oracular Practice, Crip Bodies and the Poetry of Collaboration». About Performance; Sydney, , 8, (2008), pp. 67-89,232
Performance in Print: Channeling Tōmatsu Shōmei’s NO.541 / Ross, Julian; Stojković, Jelena

Ross, Julian; Stojković, Jelena, «Performance in Print: Channeling Tōmatsu Shōmei’s NO.541». Photography and Culture, 11, 2, (2018), pp. 181-196
Theatre as Post-Operative Follow-up: The Bougainville Photoplay Project / Dwyer, Paul

Dwyer, Paul, «Theatre as Post-Operative Follow-up: The Bougainville Photoplay Project». About Performance; Sydney, , 8, (2008), pp. 141-160,231
Of Last Things in Memento Mori: Silence, eternity and death / Kobialka, Michal

Kobialka, Michal, «Of Last Things in Memento Mori: Silence, eternity and death». Performance Research, 15, 1, (2010), pp. 131-139
Windows on history: photographs from the Ringling Circus Museum / Posey, Jennifer Lemmer

Posey, Jennifer Lemmer, «Windows on history: photographs from the Ringling Circus Museum». Early Popular Visual Culture, 16, 3, (2018), pp. 301-316
Image and Performance / Yang, William; Lo, Jacqueline

Yang, William; Lo, Jacqueline, «Image and Performance». About Performance; Sydney, , 8, (2008), pp. 125-139,233,235
(Re)marking the Overlooked or Stanislavski’s Napkin / Melrose, Susan

Melrose, Susan, «(Re)marking the Overlooked or Stanislavski’s Napkin». Performance Research, 6, 2, (2001), pp. 4-19
Theatrical Photography, Photographic Theatre and the Still the Photography of Sophie Moscoso at the Théâtre Du Soleil / Anderson, Joel

Anderson, Joel, «Theatrical Photography, Photographic Theatre and the Still the Photography of Sophie Moscoso at the Théâtre Du Soleil». About Performance; Sydney, , 8, (2008), pp. 163-178,231
Nature’s dream play: Modes of vision and August Strindberg’s re-definition of the theatre / Szalczer, Eszter

Szalczer, Eszter, «Nature’s dream play: Modes of vision and August Strindberg’s re-definition of the theatre». Theatre Journal; Baltimore, 53, 1, (2001), pp. 33-52