All entries
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The Image as an Event: The Lives of Images in M.#/0 Marseille and So Little Time / Coppens, Jeroen
Coppens, Jeroen, «The Image as an Event: The Lives of Images in M.#/0 Marseille and So Little Time». Forum Modernes Theater, 30, 1, (2019), pp. 47-59
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Performance Art and Its Documentation: A Photo/Video Essay / Marsh, Anne
Marsh, Anne, «Performance Art and Its Documentation: A Photo/Video Essay». About Performance; Sydney, , 8, (2008), pp. 15-29,233
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An Aesthetics of Interruption: Stagnation and Acceleration / Bal, Mieke; Christensen, Jeannette
Bal, Mieke; Christensen, Jeannette, «An Aesthetics of Interruption: Stagnation and Acceleration». ASAP/Journal, 4, 1, (2019), pp. 85-112
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Photo-Opera: La fanciulla del West and the staging souvenir / Lockhart, Ellen
Lockhart, Ellen, «Photo-Opera: La fanciulla del West and the staging souvenir». Cambridge Opera Journal, 23, 3, (2011), pp. 145-166
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From Imperial Concubine to Model Maoist: The Photographic Metamorphosis of Mei Lanfang / Kim, Suk-Young
Kim, Suk-Young, «From Imperial Concubine to Model Maoist: The Photographic Metamorphosis of Mei Lanfang». Theatre Research International, 31, 1, (2006), pp. 37-53
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Passion and Posture in Early Dramatic Photographs / Hunter, Frederick J.
Hunter, Frederick J., «Passion and Posture in Early Dramatic Photographs». Theatre Survey, 5, 1, (1964), pp. 43-63
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An Aesthetic of Backstage Labor / Essin, Christin
Essin, Christin, «An Aesthetic of Backstage Labor». Theatre Topics; Baltimore, 21, 1, (2011), pp. 33-48
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The Theatrical Scrapbook / Marcus, Sharon
Marcus, Sharon, «The Theatrical Scrapbook». Theatre Survey, 54, 2, (2013), pp. 283-307
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Photography & Performance / Durant, Mark Alice
Durant, Mark Alice, «Photography & Performance». Aperture; Millerton, , 199, (2010), pp. 30-37
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Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi / Bacalzo, Dan
Bacalzo, Dan, «Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi». Theatre Journal, 53, 1, (2001), pp. 73-94
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Look At Me: Self-Portrait Photography After Cindy Sherman / Dalton, Jennifer
Dalton, Jennifer, «Look At Me: Self-Portrait Photography After Cindy Sherman». PAJ: A Journal of Performance and Art, 22, 3, (2000), pp. 47-56
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An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India / SHARANYA
SHARANYA, «An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India». Theatre Research International, 44, 2, (2019), pp. 118-134
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Still Looking: Self-Love, Ethics, and Seeing Jewish / Levitt, Laura
Levitt, Laura, «Still Looking: Self-Love, Ethics, and Seeing Jewish». TDR: The Drama Review, 55, 3, (2011), pp. 100-109
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Early Photographic Attempts to Record Performance Sequence / Senelick, Laurence
Senelick, Laurence, «Early Photographic Attempts to Record Performance Sequence». Theatre Research International, 22, 3, (1997), pp. 255-264