Perphoto Biblio

  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Stage Photography

    Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells / Cairns, Jon

    Cairns, Jon, «Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells». Contemporary Theatre Review, 22,  3, (2012), pp. 355

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  • Uncategorised

    An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation / Young, Gillian Turner

    Young, Gillian Turner, «An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation». TDR: The Drama Review, 58,  2, (2014), pp. 115-131

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  • Uncategorised

    Anne-Marie Boisvert, Manon Oligny, and Thomas Israël: Three Artists in Search of Cindy Sherman / Callens, Johan

    Callens, Johan, «Anne-Marie Boisvert, Manon Oligny, and Thomas Israël: Three Artists in Search of Cindy Sherman». TDR: The Drama Review, 54,  1, (2010), pp. 39-58

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  • Uncategorised

    Sordid Ironies and the Short-Fingered Vulgarian Alison Jackson’s Mental Images / Perucci, Tony

    Perucci, Tony, «Sordid Ironies and the Short-Fingered Vulgarian Alison Jackson's Mental Images». TDR: The Drama Review, 62,  1, (2018), pp. 191-200

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  • Uncategorised

    Between the Image and Anthropology: Theatrical Lessons from Aby Warburg’s “Nympha” / Gough, Kathleen M.

    Gough, Kathleen M., «Between the Image and Anthropology: Theatrical Lessons from Aby Warburg's "Nympha"». TDR: The Drama Review, 56,  3, (2012), pp. 114-130

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  • Uncategorised

    The History and Aesthetics of the Classical Film Still / Jacobs, Steven

    Jacobs, Steven, «The History and Aesthetics of the Classical Film Still». History of Photography, 34,  4, (2010), pp. 373-386

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  • Uncategorised

    Capturing Modernity Jazz, Film, and Moholy-Nagy’s Light Prop for an Electric Stage / Tóth, Edit

    Tóth, Edit, «Capturing Modernity Jazz, Film, and Moholy-Nagy's Light Prop for an Electric Stage». Modernism/modernity, 22,  1, (2015), pp. 23-55

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  • Uncategorised

    Dance, Photography, and the World’s Body / Copeland, Roger

    Copeland, Roger, «Dance, Photography, and the World's Body». Performing Arts Journal, 6,  1, (1981), pp. 91-96

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  • Stage Photography

    Moving Pictures: A Dance Photography Portfolio / Greenfield, Lois; Duncan, Kenn; Elbers, Johan; Mangolte, Babette; Tileston, Nathaniel

    Greenfield, Lois; Duncan, Kenn; Elbers, Johan; Mangolte, Babette; Tileston, Nathaniel, «Moving Pictures: A Dance Photography Portfolio». Performing Arts Journal, 5,  1, (1980), pp. 34-47

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  • Uncategorised

    Scars: Painting, Photography, Performance, Pornography, and the Disfigurement of Art / Sayre, Henry M.

    Sayre, Henry M., «Scars: Painting, Photography, Performance, Pornography, and the Disfigurement of Art». Performing Arts Journal, 16,  1, (1994), pp. 64-74

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