Perphoto Biblio

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  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Stage Photography

    Double vision: Second Empire Theatre in stereographs / Senelick, Laurence

    Senelick, Laurence, «Double vision: Second Empire Theatre in stereographs». Theatre Research International; Oxford, 24,  1, (1999), pp. 82-88+

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  • Performed Photography

    Community, Narrativity, and Empowerment in Julia Margaret Cameron’s Photographic Reading of Shakespeare / Relihan, Constance C.

    Relihan, Constance C., «Community, Narrativity, and Empowerment in Julia Margaret Cameron's Photographic Reading of Shakespeare». Upstart Crow: A Shakespeare Journal, 12,  , (1992), pp. 41-59

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  • Uncategorised

    Refashioning Cordelia, Ophelia, and Juliet: The Strength of Julia Margaret Cameron’s Suffering Women / Parlin, Melissa

    Parlin, Melissa, «Refashioning Cordelia, Ophelia, and Juliet: The Strength of Julia Margaret Cameron's Suffering Women». Selected Papers of the Ohio Valley Shakespeare Conference, 2,  , (2008), pp. 30-42

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  • Stage Photography

    Entre désir et résistance: Illustration et photographie dans les revues de théâtre au xixe siècle / Chiarelli, Cosimo

    Chiarelli, Cosimo, «Entre désir et résistance: Illustration et photographie dans les revues de théâtre au xixe siècle». European Drama and Performance Studies, 2,  3, (2014), pp. 133

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  • Stage Photography

    Eroticism in Early Theatrical Photography / Senelick, Laurence

    Senelick, Laurence, «Eroticism in Early Theatrical Photography». Theatre History Studies, 11,  , (1991), pp. 1-49

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  • Uncategorised

    Looking and Being Looked At: Visualizing the Nineteenth-Century Spectator / Davis, Jim

    Davis, Jim, «Looking and Being Looked At: Visualizing the Nineteenth-Century Spectator». Theatre Journal, 69,  4, (2017), pp. 515-534

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  • Uncategorised

    Pierrot photographe / Hamon, Philippe

    Hamon, Philippe, «Pierrot photographe». Romantisme, 29,  105, (1999), pp. 35-43

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  • Uncategorised

    Melodramatic gesture in Carte-de-Visite photographs / Senelick, Laurence

    Senelick, Laurence, «Melodramatic gesture in Carte-de-Visite photographs». Theater, 18,  2, (1987), pp. 5-13

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  • Uncategorised

    Notes on the Documentarity of Theatre Atelier Photography / Kędziora, Alicja

    Kędziora, Alicja, «Notes on the Documentarity of Theatre Atelier Photography». ZARZĄDZANIE W KULTURZE, 13,  4, (2012), pp. 341-350

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  • Uncategorised

    Rachel, the circulation of the image, and the death of tragedy

    Bethel, Marnie Elizabeth, Rachel, the circulation of the image, and the death of tragedy, University of Texas, [Austin, Tex. : 2012 Abstract Although it is frequently suggested that the idea of celebrity, as opposed to fame, is a construct of twentieth-century popular culture, many of the originating mechanisms and characteristics of modern celebrity have their roots in the more distant past. In France, the Industrial Revolution and the resulting mechanization of the media in the early to mid-nineteenth century fostered the processes of publicity. The invention of photography, the explosion in circulation of newspapers, and the emergence of cultural criticism gave rise to a new sense of both the importance…

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