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Double vision: Second Empire Theatre in stereographs / Senelick, Laurence
Senelick, Laurence, «Double vision: Second Empire Theatre in stereographs». Theatre Research International; Oxford, 24, 1, (1999), pp. 82-88+
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Community, Narrativity, and Empowerment in Julia Margaret Cameron’s Photographic Reading of Shakespeare / Relihan, Constance C.
Relihan, Constance C., «Community, Narrativity, and Empowerment in Julia Margaret Cameron's Photographic Reading of Shakespeare». Upstart Crow: A Shakespeare Journal, 12, , (1992), pp. 41-59
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Refashioning Cordelia, Ophelia, and Juliet: The Strength of Julia Margaret Cameron’s Suffering Women / Parlin, Melissa
Parlin, Melissa, «Refashioning Cordelia, Ophelia, and Juliet: The Strength of Julia Margaret Cameron's Suffering Women». Selected Papers of the Ohio Valley Shakespeare Conference, 2, , (2008), pp. 30-42
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Entre désir et résistance: Illustration et photographie dans les revues de théâtre au xixe siècle / Chiarelli, Cosimo
Chiarelli, Cosimo, «Entre désir et résistance: Illustration et photographie dans les revues de théâtre au xixe siècle». European Drama and Performance Studies, 2, 3, (2014), pp. 133
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Eroticism in Early Theatrical Photography / Senelick, Laurence
Senelick, Laurence, «Eroticism in Early Theatrical Photography». Theatre History Studies, 11, , (1991), pp. 1-49
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Looking and Being Looked At: Visualizing the Nineteenth-Century Spectator / Davis, Jim
Davis, Jim, «Looking and Being Looked At: Visualizing the Nineteenth-Century Spectator». Theatre Journal, 69, 4, (2017), pp. 515-534
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Pierrot photographe / Hamon, Philippe
Hamon, Philippe, «Pierrot photographe». Romantisme, 29, 105, (1999), pp. 35-43
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Melodramatic gesture in Carte-de-Visite photographs / Senelick, Laurence
Senelick, Laurence, «Melodramatic gesture in Carte-de-Visite photographs». Theater, 18, 2, (1987), pp. 5-13
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Notes on the Documentarity of Theatre Atelier Photography / Kędziora, Alicja
Kędziora, Alicja, «Notes on the Documentarity of Theatre Atelier Photography». ZARZĄDZANIE W KULTURZE, 13, 4, (2012), pp. 341-350
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Rachel, the circulation of the image, and the death of tragedy
Bethel, Marnie Elizabeth, Rachel, the circulation of the image, and the death of tragedy, University of Texas, [Austin, Tex. : 2012 Abstract Although it is frequently suggested that the idea of celebrity, as opposed to fame, is a construct of twentieth-century popular culture, many of the originating mechanisms and characteristics of modern celebrity have their roots in the more distant past. In France, the Industrial Revolution and the resulting mechanization of the media in the early to mid-nineteenth century fostered the processes of publicity. The invention of photography, the explosion in circulation of newspapers, and the emergence of cultural criticism gave rise to a new sense of both the importance…