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Ibsen’s The Wild Duck, Life-Lies, and Photography / Han, Boon Young
Han, Boon Young, «Ibsen's The Wild Duck, Life-Lies, and Photography». The Explicator, 73, 3, (2015), pp. 173-176
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Passion and Posture in Early Dramatic Photographs / Hunter, Frederick J.
Hunter, Frederick J., «Passion and Posture in Early Dramatic Photographs». Theatre Survey, 5, 1, (1964), pp. 43-63
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Reconnecting the Romantic Opera Repertoire: The Forgotten Stage Photographs of the Grand Théâtre de Gand / Forment, Bruno
Forment, Bruno, «Reconnecting the Romantic Opera Repertoire: The Forgotten Stage Photographs of the Grand Théâtre de Gand». Fontes Artis Musicae, 66, 4, (2019), pp. 336-352
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Performing Remediation: The Minstrel, The Camera, and The Octoroon / Sonstegard, Adam
Sonstegard, Adam, «Performing Remediation: The Minstrel, The Camera, and The Octoroon». Criticism, 48, 3, (2006), pp. 375-395
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Theater Photographs as a Source of Research on the Cultural Heritage of 2nd half of the 19º Century / Kędziora, Alicja
Kędziora, Alicja, «Theater Photographs as a Source of Research on the Cultural Heritage of 2nd half of the 19º Century». Zarzadzanie w Kulturze; Kraków, 15, 1, (2014), pp. 59-76
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The Actor’s Image: Reading Representations in Nineteenth-Century American Theatrical Photography
Nacy, Philip Kellett, «The Actor’s Image: Reading Representations in Nineteenth-Century American Theatrical Photography». , U of Missouri, ColumbiaUMI, 2006 Abstract Other data Number of pages: 399 ISBN: ISSN: DOI: URL: http://search.ebscohost.com/login.aspx?direct=true&db=mlf&AN=2006654051&site=ehost-live&scope=site Language: EN key: PSGZF49S
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Napoleon Sarony’s living pictures: Photography, performance & American art, 1865-1900
Pauwels, Erin Kristl, «Napoleon Sarony’s living pictures: Photography, performance & American art, 1865-1900». Ph.D., Indiana University, Ann Arbor, United States 2015 Abstract This dissertation investigates the complex artistic legacy of Napoleon Sarony, a pioneering figure in American photography. Based in Manhattan from 1866 until his death in 1896, Sarony was the most celebrated photographic portraitist of his era, known best for adapting the drama and fantasy of Gilded Age theatre to his construction of public images. Rather than creating straightforward likenesses of his subjects such as Sarah Bernhardt and Oscar Wilde, Sarony used flamboyant pose and costume, elaborate set-pieces and skillful retouching to create what he called “Living Pictures”—expressive portraits…
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Ghosted Corpses: Performing bodies, material landscapes / Kairschner, Shawn
Kairschner, Shawn, «Ghosted Corpses: Performing bodies, material landscapes». Performance Research, 8, 2, (2003), pp. 14-20
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Bygone Burlesque / Senelick, Laurence
Senelick, Laurence, «Bygone Burlesque». History of Photography, 8, 2, (1984), pp. 105
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A Musical Photograph? / Beaudoin, Richard; Kania, Andrew
Beaudoin, Richard; Kania, Andrew, «A Musical Photograph?». The Journal of Aesthetics and Art Criticism; Philadelphia, 70, 1, (2012), pp. 115-127
