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Forging New Dramaturgy Tools: Lomogram Image Cards / Rudakoff, Judith
Rudakoff, Judith, «Forging New Dramaturgy Tools: Lomogram Image Cards». Theatre Topics, 24, 3, (2014), pp. 261-267
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Recording the Theatre in Photographs / Schmitt, Natalie Crohn
Schmitt, Natalie Crohn, «Recording the Theatre in Photographs». Educational Theatre Journal, 28, 3, (1976), pp. 376-388
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Marionette Photographs by André Kertész / Phillips, Sandra S.
Phillips, Sandra S., «Marionette Photographs by André Kertész». Performing Arts Journal, 7, 3 [21], (1983), pp. 115-120
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Eroticism in Early Theatrical Photography / Senelick, Laurence
Senelick, Laurence, «Eroticism in Early Theatrical Photography». Theatre History Studies, 11, , (1991), pp. 1-49
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Performing Time / Lütticken, Sven
Lütticken, Sven, «Performing Time». Art Journal, 70, 3, (2011), pp. 41-44
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Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s / O’Dell, Kathy
O'Dell, Kathy, «Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s». Performance Research, 2, 1, (1997), pp. 73-81
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Getting it Right … Zooming Closer / Athey, Ron
Athey, Ron, «Getting it Right … Zooming Closer». Art Journal, 70, 3, (2011), pp. 38-40
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The Unmasking of Clichés: Photographs and Memory on Stage in Harold Pinter’s No Man’s Land / Marzola, Alessandra
Marzola, Alessandra, «The Unmasking of Clichés: Photographs and Memory on Stage in Harold Pinter's No Man's Land». GRAAT: Groupe de Recherches Anglo-Américaines de Tours, 16, , (1997), pp. 121-127
- Uncategorised
Refashioning Cordelia, Ophelia, and Juliet: The Strength of Julia Margaret Cameron’s Suffering Women / Parlin, Melissa
Parlin, Melissa, «Refashioning Cordelia, Ophelia, and Juliet: The Strength of Julia Margaret Cameron's Suffering Women». Selected Papers of the Ohio Valley Shakespeare Conference, 2, , (2008), pp. 30-42
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Community, Narrativity, and Empowerment in Julia Margaret Cameron’s Photographic Reading of Shakespeare / Relihan, Constance C.
Relihan, Constance C., «Community, Narrativity, and Empowerment in Julia Margaret Cameron's Photographic Reading of Shakespeare». Upstart Crow: A Shakespeare Journal, 12, , (1992), pp. 41-59