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Photography of theatre: images always fail / Villeneuve, Rodrigue
Villeneuve, Rodrigue, «Photography of theatre: images always fail». Canadian Theatre Review, , 64, (1990), pp. 32-36
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Performing Photographs: Photography, Performance, and Affect / O’Kane, Paul
O'Kane, Paul, «Performing Photographs: Photography, Performance, and Affect». Photography and Culture, 7, 2, (2014), pp. 219-222
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A Cyclopean, evil eye: on performance, gender and photography / Fischer, Barbara
Fischer, Barbara, «A Cyclopean, evil eye: on performance, gender and photography». Canadian Theatre Review, , 86, (1996), pp. 9-14
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A Musical Photograph? / Beaudoin, Richard; Kania, Andrew
Beaudoin, Richard; Kania, Andrew, «A Musical Photograph?». The Journal of Aesthetics and Art Criticism; Philadelphia, 70, 1, (2012), pp. 115-127
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The theatrical identity / Queneau, Raymond
Queneau, Raymond, «The theatrical identity». Aperture; Millerton, , 142, (1996), pp. 62
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Double vision: Second Empire Theatre in stereographs / Senelick, Laurence
Senelick, Laurence, «Double vision: Second Empire Theatre in stereographs». Theatre Research International; Oxford, 24, 1, (1999), pp. 82-88+
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Touching Photographs: Roland Barthes’s ”Mistaken” Identification / Olin, Margaret
Olin, Margaret, «Touching Photographs: Roland Barthes's ''Mistaken'' Identification». Representations, 80, 1, (2002), pp. 99-118
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Photography, Performance, Ruin: Performing photography in site of architecture / Wiblin, Ian
Wiblin, Ian, «Photography, Performance, Ruin: Performing photography in site of architecture». Performance Research, 20, 3, (2015), pp. 126-134
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Between Evidence and Representation: A New Methodological Approach to the History of Performance Art and Its Documentation / Gusman, Tancredi
Gusman, Tancredi, «Between Evidence and Representation: A New Methodological Approach to the History of Performance Art and Its Documentation». Contemporary Theatre Review; Abingdon, 29, 4, (2019), pp.
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Marionette Photographs by André Kertész / Phillips, Sandra S.
Phillips, Sandra S., «Marionette Photographs by André Kertész». Performing Arts Journal, 7, 3 [21], (1983), pp. 115-120
