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Photographs from the Glyndebourne Opera Archive, 1934–1939 / Williams, Val; Lardinois, Brigitte
Williams, Val; Lardinois, Brigitte, «Photographs from the Glyndebourne Opera Archive, 1934–1939». Photography and Culture, 2, 1, (2009), pp. 89-93
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The theatrical identity / Queneau, Raymond
Queneau, Raymond, «The theatrical identity». Aperture; Millerton, , 142, (1996), pp. 62
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What Good Are the Critics? Or How to Dance About Photography / Bell, Adam
Bell, Adam, «What Good Are the Critics? Or How to Dance About Photography». Afterimage; Berkeley, 41, 1, (2013), pp. 16-18
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Re: Staging the Trauma / Clark, Laurie Beth
Clark, Laurie Beth, «Re: Staging the Trauma». Performance Research, 24, 5, (2019), pp. 57-60
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A Musical Photograph? / Beaudoin, Richard; Kania, Andrew
Beaudoin, Richard; Kania, Andrew, «A Musical Photograph?». The Journal of Aesthetics and Art Criticism; Philadelphia, 70, 1, (2012), pp. 115-127
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The Camera as Catalyst: Photography as a Form of Ritual Theatre / Lau, Grace
Lau, Grace, «The Camera as Catalyst: Photography as a Form of Ritual Theatre». Performance Research, 3, 3, (1998), pp. 74-78
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A Cyclopean, evil eye: on performance, gender and photography / Fischer, Barbara
Fischer, Barbara, «A Cyclopean, evil eye: on performance, gender and photography». Canadian Theatre Review, , 86, (1996), pp. 9-14
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Double vision: Second Empire Theatre in stereographs / Senelick, Laurence
Senelick, Laurence, «Double vision: Second Empire Theatre in stereographs». Theatre Research International; Oxford, 24, 1, (1999), pp. 82-88+
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Touching Photographs: Roland Barthes’s ”Mistaken” Identification / Olin, Margaret
Olin, Margaret, «Touching Photographs: Roland Barthes's ''Mistaken'' Identification». Representations, 80, 1, (2002), pp. 99-118
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Photography of theatre: images always fail / Villeneuve, Rodrigue
Villeneuve, Rodrigue, «Photography of theatre: images always fail». Canadian Theatre Review, , 64, (1990), pp. 32-36
