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Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s / O’Dell, Kathy
O'Dell, Kathy, «Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s». Performance Research, 2, 1, (1997), pp. 73-81
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Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells / Cairns, Jon
Cairns, Jon, «Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells». Contemporary Theatre Review, 22, 3, (2012), pp. 355
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Liveness: Phelan, Auslander, and After / Meyer-Dinkgräfe, Daniel
Meyer-Dinkgräfe, Daniel, «Liveness: Phelan, Auslander, and After». Journal of Dramatic Theory and Criticism, 29, 2, (2015), pp. 69-79
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MINDtouch: Embodied Mobile Media Ephemeral Transference / Baker, Camille C.
Baker, Camille C., «MINDtouch: Embodied Mobile Media Ephemeral Transference». Leonardo, 46, 3, (2013), pp. 221-224
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Media-Bodies: Choreography as Intermedial Thinking Through in the Work of William Forsythe / Huschka, Sabine
Huschka, Sabine, «Media-Bodies: Choreography as Intermedial Thinking Through in the Work of William Forsythe». Dance Research Journal, 42, 1, (2010), pp. 61-72
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Images of Trajectories of Mobiles by Means of Photographs and Cinema: Metaforms / Weill, Etienne Bertrand
Weill, Etienne Bertrand, «Images of Trajectories of Mobiles by Means of Photographs and Cinema: Metaforms». Leonardo, 5, 4, (1972), pp. 301
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An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation / Young, Gillian Turner
Young, Gillian Turner, «An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation». TDR: The Drama Review, 58, 2, (2014), pp. 115-131
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The History and Aesthetics of the Classical Film Still / Jacobs, Steven
Jacobs, Steven, «The History and Aesthetics of the Classical Film Still». History of Photography, 34, 4, (2010), pp. 373-386
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Anne-Marie Boisvert, Manon Oligny, and Thomas Israël: Three Artists in Search of Cindy Sherman / Callens, Johan
Callens, Johan, «Anne-Marie Boisvert, Manon Oligny, and Thomas Israël: Three Artists in Search of Cindy Sherman». TDR: The Drama Review, 54, 1, (2010), pp. 39-58
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Sordid Ironies and the Short-Fingered Vulgarian Alison Jackson’s Mental Images / Perucci, Tony
Perucci, Tony, «Sordid Ironies and the Short-Fingered Vulgarian Alison Jackson's Mental Images». TDR: The Drama Review, 62, 1, (2018), pp. 191-200
