All Entries - Perphoto Biblio

The Camera as Catalyst: Photography as a Form of Ritual Theatre / Lau, Grace

Lau, Grace, «The Camera as Catalyst: Photography as a Form of Ritual Theatre». Performance Research, 3, 3, (1998), pp. 74-78
In search of the decisive moment: A gallery of theatre photography / Pearce, Michele

Pearce, Michele, «In search of the decisive moment: A gallery of theatre photography». American Theatre; New York, 11, 8, (1994), pp. 32-39
The theatrical identity / Queneau, Raymond

Queneau, Raymond, «The theatrical identity». Aperture; Millerton, , 142, (1996), pp. 62
A Cyclopean, evil eye: on performance, gender and photography / Fischer, Barbara

Fischer, Barbara, «A Cyclopean, evil eye: on performance, gender and photography». Canadian Theatre Review, , 86, (1996), pp. 9-14
Re: Staging the Trauma / Clark, Laurie Beth

Clark, Laurie Beth, «Re: Staging the Trauma». Performance Research, 24, 5, (2019), pp. 57-60
Performing Photographs: Photography, Performance, and Affect / O’Kane, Paul

O’Kane, Paul, «Performing Photographs: Photography, Performance, and Affect». Photography and Culture, 7, 2, (2014), pp. 219-222
Photography, Performance, Ruin: Performing photography in site of architecture / Wiblin, Ian

Wiblin, Ian, «Photography, Performance, Ruin: Performing photography in site of architecture». Performance Research, 20, 3, (2015), pp. 126-134
Photography of theatre: images always fail / Villeneuve, Rodrigue

Villeneuve, Rodrigue, «Photography of theatre: images always fail». Canadian Theatre Review, , 64, (1990), pp. 32-36
Community, Narrativity, and Empowerment in Julia Margaret Cameron’s Photographic Reading of Shakespeare / Relihan, Constance C.

Relihan, Constance C., «Community, Narrativity, and Empowerment in Julia Margaret Cameron’s Photographic Reading of Shakespeare». Upstart Crow: A Shakespeare Journal, 12, , (1992), pp. 41-59
Entre désir et résistance: Illustration et photographie dans les revues de théâtre au xixe siècle / Chiarelli, Cosimo

Chiarelli, Cosimo, «Entre désir et résistance: Illustration et photographie dans les revues de théâtre au xixe siècle». European Drama and Performance Studies, 2, 3, (2014), pp. 133
Marionette Photographs by André Kertész / Phillips, Sandra S.

Phillips, Sandra S., «Marionette Photographs by André Kertész». Performing Arts Journal, 7, 3 [21], (1983), pp. 115-120
Recording the Theatre in Photographs / Schmitt, Natalie Crohn

Schmitt, Natalie Crohn, «Recording the Theatre in Photographs». Educational Theatre Journal, 28, 3, (1976), pp. 376-388
Refashioning Cordelia, Ophelia, and Juliet: The Strength of Julia Margaret Cameron’s Suffering Women / Parlin, Melissa

Parlin, Melissa, «Refashioning Cordelia, Ophelia, and Juliet: The Strength of Julia Margaret Cameron’s Suffering Women». Selected Papers of the Ohio Valley Shakespeare Conference, 2, , (2008), pp. 30-42
The Unmasking of Clichés: Photographs and Memory on Stage in Harold Pinter’s No Man’s Land / Marzola, Alessandra

Marzola, Alessandra, «The Unmasking of Clichés: Photographs and Memory on Stage in Harold Pinter’s No Man’s Land». GRAAT: Groupe de Recherches Anglo-Américaines de Tours, 16, , (1997), pp. 121-127
Forging New Dramaturgy Tools: Lomogram Image Cards / Rudakoff, Judith

Rudakoff, Judith, «Forging New Dramaturgy Tools: Lomogram Image Cards». Theatre Topics, 24, 3, (2014), pp. 261-267
Performing Time / Lütticken, Sven

Lütticken, Sven, «Performing Time». Art Journal, 70, 3, (2011), pp. 41-44
Capturing Absence: Walking Performance and Photography / Fischer, Ralph

Fischer, Ralph, «Capturing Absence: Walking Performance and Photography». About Performance; Sydney, , 8, (2008), pp. 91-108,231-232
Getting it Right … Zooming Closer / Athey, Ron

Athey, Ron, «Getting it Right … Zooming Closer». Art Journal, 70, 3, (2011), pp. 38-40
Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s / O’Dell, Kathy

O’Dell, Kathy, «Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s». Performance Research, 2, 1, (1997), pp. 73-81
Between Evidence and Representation: A New Methodological Approach to the History of Performance Art and Its Documentation / Gusman, Tancredi

Gusman, Tancredi, «Between Evidence and Representation: A New Methodological Approach to the History of Performance Art and Its Documentation». Contemporary Theatre Review; Abingdon, 29, 4, (2019), pp.