All entries
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Ghosted Corpses: Performing bodies, material landscapes / Kairschner, Shawn
Kairschner, Shawn, «Ghosted Corpses: Performing bodies, material landscapes». Performance Research, 8, 2, (2003), pp. 14-20
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Three Views from the Oliver Messel Archive at University of Bristol Theatre Collection / Messel, Thomas; Howgill, Emma
Messel, Thomas; Howgill, Emma, «Three Views from the Oliver Messel Archive at University of Bristol Theatre Collection». Photography and Culture, 11, 2, (2018), pp. 215-227
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Reflective Acts and Mirrored Images: Yayoi Kusama’s Narcissus Garden / Sullivan, Marin R.
Sullivan, Marin R., «Reflective Acts and Mirrored Images: Yayoi Kusama’s Narcissus Garden». History of Photography, 39, 4, (2015), pp. 405-423
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Bygone Burlesque / Senelick, Laurence
Senelick, Laurence, «Bygone Burlesque». History of Photography, 8, 2, (1984), pp. 105
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Transparent Representation: Photography and the Art of Casting / Alward, Peter
Alward, Peter, «Transparent Representation: Photography and the Art of Casting». Journal of Aesthetics & Art Criticism, 70, 1, (2012), pp. 9-18
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Para salvar do esquecimento: da fotografia ao teatro da morte de Tadeusz Kantor / D’Abronzo, Thais Helena; Souza, Maria Irene Pellegrino de Oliveira
D’Abronzo, Thais Helena; Souza, Maria Irene Pellegrino de Oliveira, «Para salvar do esquecimento: da fotografia ao teatro da morte de Tadeusz Kantor». Discursos Fotográficos, 2, 2, (2006), pp. 237-253
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The Art of Photographing the Dance / Fullard, David A.
Fullard, David A., «The Art of Photographing the Dance». PSA Journal, 69, 11, (2003), pp. 36-39
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À contrechamp, photographier le théâtre de ceux qui voient. Ito Josué et Louis Caterin pour Jean Dasté à la Comédie de Saint-Étienne (1948-1963).pdf / Cavallo, Valerie
Cavallo, Valerie, «À contrechamp, photographier le théâtre de ceux qui voient. Ito Josué et Louis Caterin pour Jean Dasté à la Comédie de Saint-Étienne (1948-1963).pdf». Revue internationale de PhotolittératurePhilt, 2, , (2018), pp.
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Photographs from the Glyndebourne Opera Archive, 1934–1939 / Williams, Val; Lardinois, Brigitte
Williams, Val; Lardinois, Brigitte, «Photographs from the Glyndebourne Opera Archive, 1934–1939». Photography and Culture, 2, 1, (2009), pp. 89-93
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Unsettling Materialities: The Indexical Relationship of Photography and Theatre in Bodies in Flight’s Model Love / Jones, Simon; Dimsdale, Edward
Jones, Simon; Dimsdale, Edward, «Unsettling Materialities: The Indexical Relationship of Photography and Theatre in Bodies in Flight’s Model Love». Photography and Culture, 11, 2, (2018), pp. 153-167
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Blessed Be the Photograph / Suonpää, Juha
Suonpää, Juha, «Blessed Be the Photograph». photographies, 1, 1, (2008), pp. 67-86
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Dirt in the Lens / Bowes, Simon
Bowes, Simon, «Dirt in the Lens». Performance Research; Abingdon, 24, 6, (2019), pp. 38-46
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Theatre: Post / Marinaccio, Ashley
Marinaccio, Ashley, «Theatre: Post». Performance Research; Abingdon, 24, 5, (2019), pp. 74-77
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The “eternal return”: Self-portrait photography as a technology of embodiment / Jones, Amelia
Jones, Amelia, «The “eternal return”: Self-portrait photography as a technology of embodiment». Signs; Chicago, 27, 4, (2002), pp. 947-978
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In search of the decisive moment: A gallery of theatre photography / Pearce, Michele
Pearce, Michele, «In search of the decisive moment: A gallery of theatre photography». American Theatre; New York, 11, 8, (1994), pp. 32-39
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Photography of theatre: images always fail / Villeneuve, Rodrigue
Villeneuve, Rodrigue, «Photography of theatre: images always fail». Canadian Theatre Review, , 64, (1990), pp. 32-36
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Re: Staging the Trauma / Clark, Laurie Beth
Clark, Laurie Beth, «Re: Staging the Trauma». Performance Research, 24, 5, (2019), pp. 57-60