All entries
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Performance, Photography, Performativity: What Performance ‘does’ in the Still Image
Taylor, Allan S., «Performance, Photography, Performativity: What Performance ‘does’ in the Still Image». , , Abstract Auslander (2006) states that images generated from performance documentation and practices stemming from performance to camera could be considered ‘performative’ if they are meant to be seen as happening in the ‘now’ they are viewed, with the spectator as…
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O insustentável desejo da memória : incursões na fotografia de teatro em Portugal (1868-1974)
Figueiredo, Filipe, «O insustentável desejo da memória : incursões na fotografia de teatro em Portugal (1868-1974)». Dissertação de Doutoramento em Estudos Artísticos, ramo de Estudos de Teatro, Universidade de Lisboa, Lisboa 2015 Abstract O presente estudo tem com objecto a produção de fotografia de teatro em Portugal entre 1868, data das primeiras fotografias, em série,…
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Theatre and Performance Photography: Documentation and the “unlive”
Anderson, Joel, «Theatre and Performance Photography: Documentation and the “unlive”». , Queen Mary, University of London, London 2008 Abstract Although theatre and performance photographs often illustrate scholarly works on theatre and performance, and despite recent interest in links between theatre and the still image from both theatre practitioners and theorists, there remains relatively little critical…
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The Actor’s Image: Reading Representations in Nineteenth-Century American Theatrical Photography
Nacy, Philip Kellett, «The Actor’s Image: Reading Representations in Nineteenth-Century American Theatrical Photography». , U of Missouri, ColumbiaUMI, 2006 Abstract Other data Number of pages: 399 ISBN: ISSN: DOI: URL: http://search.ebscohost.com/login.aspx?direct=true&db=mlf&AN=2006654051&site=ehost-live&scope=site Language: EN key: PSGZF49S
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Napoleon Sarony’s living pictures: Photography, performance & American art, 1865-1900
Pauwels, Erin Kristl, «Napoleon Sarony’s living pictures: Photography, performance & American art, 1865-1900». Ph.D., Indiana University, Ann Arbor, United States 2015 Abstract This dissertation investigates the complex artistic legacy of Napoleon Sarony, a pioneering figure in American photography. Based in Manhattan from 1866 until his death in 1896, Sarony was the most celebrated photographic portraitist…
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The Role of the Performance Document: The Photographic Paradox and the Ephemeral Event
Simon, Danni E., «The Role of the Performance Document: The Photographic Paradox and the Ephemeral Event». M.A., Sotheby’s Institute of Art – New York, Ann Arbor, United States 2015 Abstract In contemporary artistic practice, there has been a resurgence of performance- based work, resulting in an unprecedented interest in performance documentation. As performance art proliferates…
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Performing the image: Representations of the body in the avant -garde
Hein, Nina, «Performing the image: Representations of the body in the avant -garde». Ph.D., , Ann Arbor, United States 2005 Abstract This dissertation provides an interdisciplinary analysis of body imagery in Futurism, Dada, and Surrealism. Building on existing discourse on the body from aesthetic, sociohistorical and philosophical perspectives, the dissertation highlights the work of specific…
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Theatre Photography between Theatre and Performance / Anderson, Joel
Anderson, Joel, «Theatre Photography between Theatre and Performance». Focales, , n° 3 : Photographie & Arts de la scène, (2018), pp.
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The Body as Archive: Will to Re-Enact and the Afterlives of Dances / Lepecki, André
Lepecki, André, «The Body as Archive: Will to Re-Enact and the Afterlives of Dances». Dance Research Journal, 42, 2, (2010), pp. 28-48
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White Negro: Jeff Wall’s Uncle Tom on the Obscenity of Photopantomime / Michel, Régis
Michel, Régis, «White Negro: Jeff Wall’s Uncle Tom on the Obscenity of Photopantomime». Oxford Art Journal, 30, 1, (2007), pp. 57-68
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Memory texts and memory work: Performances of memory in and with visual media / Kuhn, Annette
Kuhn, Annette, «Memory texts and memory work: Performances of memory in and with visual media». Memory Studies, , , (), pp. 298–313
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Documenting performance art: documentation in practice / Woolley, Michael J. H.
Woolley, Michael J. H., «Documenting performance art: documentation in practice». International Journal of Performance Arts and Digital Media, 10, 1, (2014), pp. 48-66
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Helena Almeida / Sardo, Delfim
Sardo, Delfim, «Helena Almeida». Aperture, , 221, (2015), pp. 58-67
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Véritable mensonge ou mentir-vrai : la photographie de théâtre comme authentique artifice / Rykner, Arnaud
Rykner, Arnaud, «Véritable mensonge ou mentir-vrai : la photographie de théâtre comme authentique artifice». Sens public, , , (2019), pp.
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“Nem aqui nem lá”: rastros do feminino nas fotoperformances de Ana Mendieta / Wanderley, Olga da Costa Lima
Wanderley, Olga da Costa Lima, «“Nem aqui nem lá”: rastros do feminino nas fotoperformances de Ana Mendieta». Comunicação e Sociedade, 32, , (), pp. 305-317
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Ghosted Corpses: Performing bodies, material landscapes / Kairschner, Shawn
Kairschner, Shawn, «Ghosted Corpses: Performing bodies, material landscapes». Performance Research, 8, 2, (2003), pp. 14-20