All entries

  • Hybrid Europeana. Notes on theatre (photo) archives. / Vanhaesebrouck, Karel

    Vanhaesebrouck, Karel, «Hybrid Europeana. Notes on theatre (photo) archives.». Image & Narrative. Online Magazine of the Visual Narrative, 15,  4, (2014), pp. 14-29

  • BUTOH: Duet for Dancer and Photographer / Bieszczad-Roley, Karolina

    Bieszczad-Roley, Karolina, «BUTOH: Duet for Dancer and Photographer». PAJ: A Journal of Performance and Art, 33,  3, (2011), pp. 1-10

  • Bodies in Focus: Photography and Performativity in Post-Colonial Theatre / Gilbert, Helen

    Gilbert, Helen, «Bodies in Focus: Photography and Performativity in Post-Colonial Theatre». Textual Studies in Canada, 10,  11, (1998), pp. 17-32

  • Between Action and Image: Performance as ‘Inframedium’

    Westerman, Jonah, «Between Action and Image: Performance as ‘Inframedium’», Tate, 2015. https://www.tate.org.uk/research/features/between-action-and-image Abstract What would it mean to think of performance as a medium? Or rather, what would it do to our usual modes of articulating performance art, its meanings and its histories? Other data Number of pages: ISBN: ISSN: DOI: URL: https://www.tate.org.uk/research/features/between-action-and-image Language: EN…

  • Blow up: photography, cinema and the brain

    Neidich, Warren, «Blow up: photography, cinema and the brain», , 2003 (www.warrenneeidich.com) AbstractThis paper explores the relationship between photography, cinema, and the evolving human brain, proposing that modern technological advancements in visual media have fundamentally transformed cultural interactions and perceptions. By tracing the historical development of optical technologies and their cultural implications, the study discusses…

  • Artistas Unidos: Revista Nº 9, Novembro 2003

    Silva Melo, Jorge, Artistas Unidos: Revista Nº 9, Novembro 2003, , 2003 Abstract Secção da Revista Fotografar teatro – Jorge Silva Melo: Fotografia de cena – António Pedro Ferreira: Pisar o palco – Carla Carvalho Tomás: Outras maneiras de ver – J. Marques: Quem é que está para ter muito trabalho? – João Paulo Dias:…

  • Ainda. O livro como performance

    Cadôr, Amir, Ainda. O livro como performance, , 2013 Abstract Catálogo da exposição realizada no MAP em 2012, edição bilingue, português/inglês. Other data Number of pages: 100 ISBN: 978-85-98964-16-4 ISSN: DOI: URL: https://www.academia.edu/10659126/O_livro_como_performance Language: PT/EN key: QCZ9SWUV

  • The Book of the Dance

    Genthe, Arnold; O’Sheel, Shaemas, The Book of the Dance, Mitchell Kennerley, New York 1916 Abstract Other data Number of pages: 246 ISBN: ISSN: DOI: URL: Language: EN key: E5LJCTHJ

  • Archaeologies of Presence

    Giannachi, Gabriella; Kaye, Nick; Shanks, Michael; Kaye, Nick; Shanks, Michael, Archaeologies of Presence, Routledge, 2012 Abstract Archaeologies of Presence is a brilliant exploration of how the performance of presence can be understood through the relationships between performance theory Other data Number of pages: 19-44 ISBN: 978-0-203-12673-8 ISSN: DOI: URL: https://www.taylorfrancis.com/books/e/9780203126738 Language: EN key: 6PRXC75T

  • Looking for the expressive body through images: The infinite struggle against insignificance

    Brilhante, Maria João, Looking for the expressive body through images: The infinite struggle against insignificance, in Vicente, Gustavo, Intensified Bodies from the Performing Arts in Portugal, Peter Lang, Bern, Switzerland 2017, pp. 229-266

  • The visual record: the case of Hamlet

    Hodgdon, Barbara, The visual record: the case of Hamlet, in Wiles, David and Christine Dymkowski, The Cambridge Companion to Theatre History, Cambridge Companions Online, Cambridge 2012, pp. 246-266

  • The Performative Index : James VanDerZee, Roland Barthes, Lorna Simpson, and the Photographic Imagination

    Smith, Shawn Michelle, The Performative Index : James VanDerZee, Roland Barthes, Lorna Simpson, and the Photographic Imagination, in , Photography and Imagination, Routledge, 2019, pp. 133-146

  • Bodies at the Threshold of the Visible : Photographic butoh

    Marshall, Jonathan W., Bodies at the Threshold of the Visible : Photographic butoh, in , The Routledge Companion to Butoh Performance, Routledge, 2018, pp. 158-170

  • Teatro Rivoli, Porto, 1996

    Araújo, Nuno Borges de, Teatro Rivoli, Porto, 1996, in Almeida, Bernardo Pinto de, 3 + 3 olhares sobre o Rivoli, Porto: Teatro Rivoli – Culturgeste, Porto 1997, pp.

  • Still Living

    Schneider, Rebecca, Still Living, in , Performing Remains – Art and War in Times of Theatrical Reenactment, Routledge, London 2011, pp. 151-181

  • Following Pieces: On Performative Photography

    Iversen, Margaret, Following Pieces: On Performative Photography, in , Photography Theory, Routledge, 2013, pp. 101-118

  • Live and technologically mediated performance

    Auslander, Philip, Live and technologically mediated performance, in Davis, Tracy C., The Cambridge Companion to Performance Studies, Cambridge University Press, Cambridge 2008, pp. 107-119

  • Images of jazz

    Gabbard, Krin, Images of jazz, in Horn, David; Cooke, Mervyn, The Cambridge Companion to Jazz, Cambridge University Press, Cambridge 2003, pp. 332-346

  • La gravité des visages, au sein du théâtre photographique de Thérèse Le Prat

    Cavallo, Valérie, «La gravité des visages, au sein du théâtre photographique de Thérèse Le Prat», http://focales.univ-st-etienne.fr, . https://focales.univ-st-etienne.fr/index.php?id=2326 Abstract Au milieu du xxe siècle, Thérèse Le Prat photographie en France de nombreux acteurs de théâtre. Ses clichés ne visent pas à valoriser des célébrités, mais sont en quête des expressions des visages au cours de leur…

  • Photographie & Arts de la scène (Focales n° 3) : Éditorial

    Chiarelli, Cosimo; Noirot, Julie, «Photographie & Arts de la scène (Focales n° 3) : Éditorial», http://focales.univ-st-etienne.fr, . https://focales.univ-st-etienne.fr/index.php?id=2597 Abstract Alors que l’on a beaucoup insisté, dans les histoires de la photographie, sur l’alliance entre photographie et peinture, celle qui unit photographie et arts du spectacle – qui resurgit de manière inédite et emblématique sur la scène…