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Para salvar do esquecimento: da fotografia ao teatro da morte de Tadeusz Kantor / D’Abronzo, Thais Helena; Souza, Maria Irene Pellegrino de Oliveira
D’Abronzo, Thais Helena; Souza, Maria Irene Pellegrino de Oliveira, «Para salvar do esquecimento: da fotografia ao teatro da morte de Tadeusz Kantor». Discursos Fotográficos, 2, 2, (2006), pp. 237-253
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À contrechamp, photographier le théâtre de ceux qui voient. Ito Josué et Louis Caterin pour Jean Dasté à la Comédie de Saint-Étienne (1948-1963).pdf / Cavallo, Valerie
Cavallo, Valerie, «À contrechamp, photographier le théâtre de ceux qui voient. Ito Josué et Louis Caterin pour Jean Dasté à la Comédie de Saint-Étienne (1948-1963).pdf». Revue internationale de PhotolittératurePhilt, 2, , (2018), pp.
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Ghosted Corpses: Performing bodies, material landscapes / Kairschner, Shawn
Kairschner, Shawn, «Ghosted Corpses: Performing bodies, material landscapes». Performance Research, 8, 2, (2003), pp. 14-20
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Diane Arbus: A Theatre of Amibguity / Alexander, M. Darsie
Alexander, M. Darsie, «Diane Arbus: A Theatre of Amibguity». History of Photography, 19, 2, (1995), pp. 120
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The Magic Lantern Slide in Entertainment and Education, 1860-1920 / Shepard, Elizabeth
Shepard, Elizabeth, «The Magic Lantern Slide in Entertainment and Education, 1860-1920». History of Photography, 11, 2, (1987), pp. 91
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What Good Are the Critics? Or How to Dance About Photography / Bell, Adam
Bell, Adam, «What Good Are the Critics? Or How to Dance About Photography». Afterimage; Berkeley, 41, 1, (2013), pp. 16-18
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A Musical Photograph? / Beaudoin, Richard; Kania, Andrew
Beaudoin, Richard; Kania, Andrew, «A Musical Photograph?». The Journal of Aesthetics and Art Criticism; Philadelphia, 70, 1, (2012), pp. 115-127
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The “eternal return”: Self-portrait photography as a technology of embodiment / Jones, Amelia
Jones, Amelia, «The "eternal return": Self-portrait photography as a technology of embodiment». Signs; Chicago, 27, 4, (2002), pp. 947-978
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Double vision: Second Empire Theatre in stereographs / Senelick, Laurence
Senelick, Laurence, «Double vision: Second Empire Theatre in stereographs». Theatre Research International; Oxford, 24, 1, (1999), pp. 82-88+
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A Cyclopean, evil eye: on performance, gender and photography / Fischer, Barbara
Fischer, Barbara, «A Cyclopean, evil eye: on performance, gender and photography». Canadian Theatre Review, , 86, (1996), pp. 9-14
