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Live and technologically mediated performance
Auslander, Philip, Live and technologically mediated performance, in Davis, Tracy C., The Cambridge Companion to Performance Studies, Cambridge University Press, Cambridge 2008, pp. 107-119
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Following Pieces: On Performative Photography
Iversen, Margaret, Following Pieces: On Performative Photography, in , Photography Theory, Routledge, 2013, pp. 101-118
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Performance, Photography, Performativity: What Performance ‘does’ in the Still Image
Taylor, Allan S., «Performance, Photography, Performativity: What Performance ‘does’ in the Still Image». , , Abstract Auslander (2006) states that images generated from performance documentation and practices stemming from performance to camera could be considered ‘performative’ if they are meant to be seen as happening in the ‘now’ they are viewed, with the spectator as the current intended audience. This thesis takes Auslander’s supposition and situates the term performativity within an established academic discourse as a social, political or cultural ‘doing’ and questions what, apart from performing, performance ‘does’ in its transcription to a photographic image. I propose a ‘doing’ occurs because the intentional performance of a given act invokes…
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The Role of the Performance Document: The Photographic Paradox and the Ephemeral Event
Simon, Danni E., «The Role of the Performance Document: The Photographic Paradox and the Ephemeral Event». M.A., Sotheby’s Institute of Art – New York, Ann Arbor, United States 2015 Abstract In contemporary artistic practice, there has been a resurgence of performance- based work, resulting in an unprecedented interest in performance documentation. As performance art proliferates and gains admission into the exhibitions and archives of the traditional visual arts institution, the question of how to institutionalize these ephemeral practices comes to the fore. The documentation of performance, specifically the photographic document, has proven to be pivotal in the collection, preservation, and institutionalization of transient art. Now, more than ever before, the…
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Theatre Photography between Theatre and Performance / Anderson, Joel
Anderson, Joel, «Theatre Photography between Theatre and Performance». Focales, , n° 3 : Photographie & Arts de la scène, (2018), pp.
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Helena Almeida / Sardo, Delfim
Sardo, Delfim, «Helena Almeida». Aperture, , 221, (2015), pp. 58-67
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A Cyclopean, evil eye: on performance, gender and photography / Fischer, Barbara
Fischer, Barbara, «A Cyclopean, evil eye: on performance, gender and photography». Canadian Theatre Review, , 86, (1996), pp. 9-14
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Performing Photographs: Photography, Performance, and Affect / O’Kane, Paul
O'Kane, Paul, «Performing Photographs: Photography, Performance, and Affect». Photography and Culture, 7, 2, (2014), pp. 219-222
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Performing Time / Lütticken, Sven
Lütticken, Sven, «Performing Time». Art Journal, 70, 3, (2011), pp. 41-44
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Getting it Right … Zooming Closer / Athey, Ron
Athey, Ron, «Getting it Right … Zooming Closer». Art Journal, 70, 3, (2011), pp. 38-40
