Perphoto Biblio

  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Stage Photography

    Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s / O’Dell, Kathy

    O'Dell, Kathy, «Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s». Performance Research, 2,  1, (1997), pp. 73-81

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  • Stage Photography

    Between Evidence and Representation: A New Methodological Approach to the History of Performance Art and Its Documentation / Gusman, Tancredi

    Gusman, Tancredi, «Between Evidence and Representation: A New Methodological Approach to the History of Performance Art and Its Documentation». Contemporary Theatre Review; Abingdon, 29,  4, (2019), pp.

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  • Uncategorised

    An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation / Young, Gillian Turner

    Young, Gillian Turner, «An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation». TDR: The Drama Review, 58,  2, (2014), pp. 115-131

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  • Uncategorised

    Sordid Ironies and the Short-Fingered Vulgarian Alison Jackson’s Mental Images / Perucci, Tony

    Perucci, Tony, «Sordid Ironies and the Short-Fingered Vulgarian Alison Jackson's Mental Images». TDR: The Drama Review, 62,  1, (2018), pp. 191-200

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  • Uncategorised

    Between the Image and Anthropology: Theatrical Lessons from Aby Warburg’s “Nympha” / Gough, Kathleen M.

    Gough, Kathleen M., «Between the Image and Anthropology: Theatrical Lessons from Aby Warburg's "Nympha"». TDR: The Drama Review, 56,  3, (2012), pp. 114-130

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  • Stage Photography

    Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells / Cairns, Jon

    Cairns, Jon, «Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells». Contemporary Theatre Review, 22,  3, (2012), pp. 355

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  • Uncategorised

    Contemporary Performance/Technology / Birringer, Johannes H.

    Birringer, Johannes H., «Contemporary Performance/Technology». Theatre Journal, 51,  4, (1999), pp. 361-381

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  • Uncategorised

    Scars: Painting, Photography, Performance, Pornography, and the Disfigurement of Art / Sayre, Henry M.

    Sayre, Henry M., «Scars: Painting, Photography, Performance, Pornography, and the Disfigurement of Art». Performing Arts Journal, 16,  1, (1994), pp. 64-74

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  • Stage Photography

    Turning Theatre Into Art / Helguera, Pablo; Meromi, Ohad; Simmons, Xaviera; Young, Paul David

    Helguera, Pablo; Meromi, Ohad; Simmons, Xaviera; Young, Paul David, «Turning Theatre Into Art». PAJ: A Journal of Performance and Art, 34,  1, (2012), pp. 169-182

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  • Stage Photography

    Here and Now… Again… and Again / Bernstein, Ana

    Bernstein, Ana, «Here and Now… Again… and Again». Variations, 19,  1, (2001), pp. 129-142

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