-
Bodies in Focus: Photography and Performativity in Post-Colonial Theatre / Gilbert, Helen
Gilbert, Helen, «Bodies in Focus: Photography and Performativity in Post-Colonial Theatre». Textual Studies in Canada, 10, 11, (1998), pp. 17-32
-
Photography as Performative Process / Shusterman, Richard
Shusterman, Richard, «Photography as Performative Process». Journal of Aesthetics and Art Criticism, 71, 1, (), pp. 67-77
-
Archive or Memory? The Detritus of Live Performance / Reason, Matthew
Reason, Matthew, «Archive or Memory? The Detritus of Live Performance». New Theatre Quarterly, 19, 1, (2003), pp. 82-89
-
Still Moving: The Revelation or Representation of Dance in Still Photography / Reason, Matthew
Reason, Matthew, «Still Moving: The Revelation or Representation of Dance in Still Photography». Dance Research Journal, 35/36, 01, (2003), pp. 43-67
-
Eyes in Movement / Sanchez, José
Sanchez, José, «Eyes in Movement». Performance Research, 8, 4, (2003), pp. 92-99
- Uncategorised
F. Holland Day’s Seven Last Words and the Religious Roots of American Modernism / Schwain, Kristin
Schwain, Kristin, «F. Holland Day's Seven Last Words and the Religious Roots of American Modernism». American Art, 19, 1, (2005), pp. 32-59
-
The performativity of performance documentation / Auslander, Philip
Auslander, Philip, «The performativity of performance documentation». PAJ: a Journal of Performance and Art, 28, 3, (2006), pp. 1-10
-
Performing Remediation: The Minstrel, The Camera, and The Octoroon / Sonstegard, Adam
Sonstegard, Adam, «Performing Remediation: The Minstrel, The Camera, and The Octoroon». Criticism, 48, 3, (2006), pp. 375-395
-
The actress as photographic icon: from early photography to early film / Mayer, David
Mayer, David, «The actress as photographic icon: from early photography to early film». The Cambridge Companion to the Actress, , , (2007), pp. 74-94
-
Photography as a Witness of Theatre / Dondero, Maria Giulia
Dondero, Maria Giulia, «Photography as a Witness of Theatre». Recherches sémiotiques, 28, 1-2, (2008), pp. 43-57