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Presence in absentia. Experiencing Performance as Documentation / Jones, Amelia
Jones, Amelia, «Presence in absentia. Experiencing Performance as Documentation». Art Journal, 56, 4, (1997), pp. 11
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Photographing Titus Andronicus: Textual Fidelity, Spectacle, and the Performance Tradition / Barnden, Sally
Barnden, Sally, «Photographing Titus Andronicus: Textual Fidelity, Spectacle, and the Performance Tradition». Theatre Journal, 69, 4, (2017), pp. 555-571
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Bodies in Focus: Photography and Performativity in Post-Colonial Theatre / Gilbert, Helen
Gilbert, Helen, «Bodies in Focus: Photography and Performativity in Post-Colonial Theatre». Textual Studies in Canada, 10, 11, (1998), pp. 17-32
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Photography as Performative Process / Shusterman, Richard
Shusterman, Richard, «Photography as Performative Process». Journal of Aesthetics and Art Criticism, 71, 1, (), pp. 67-77
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Archive or Memory? The Detritus of Live Performance / Reason, Matthew
Reason, Matthew, «Archive or Memory? The Detritus of Live Performance». New Theatre Quarterly, 19, 1, (2003), pp. 82-89
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Still Moving: The Revelation or Representation of Dance in Still Photography / Reason, Matthew
Reason, Matthew, «Still Moving: The Revelation or Representation of Dance in Still Photography». Dance Research Journal, 35/36, 01, (2003), pp. 43-67
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Eyes in Movement / Sanchez, José
Sanchez, José, «Eyes in Movement». Performance Research, 8, 4, (2003), pp. 92-99
- Uncategorised
F. Holland Day’s Seven Last Words and the Religious Roots of American Modernism / Schwain, Kristin
Schwain, Kristin, «F. Holland Day's Seven Last Words and the Religious Roots of American Modernism». American Art, 19, 1, (2005), pp. 32-59
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The performativity of performance documentation / Auslander, Philip
Auslander, Philip, «The performativity of performance documentation». PAJ: a Journal of Performance and Art, 28, 3, (2006), pp. 1-10
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Performing Remediation: The Minstrel, The Camera, and The Octoroon / Sonstegard, Adam
Sonstegard, Adam, «Performing Remediation: The Minstrel, The Camera, and The Octoroon». Criticism, 48, 3, (2006), pp. 375-395
