- Uncategorised
BUTOH: Duet for Dancer and Photographer / Bieszczad-Roley, Karolina
Bieszczad-Roley, Karolina, «BUTOH: Duet for Dancer and Photographer». PAJ: A Journal of Performance and Art, 33, 3, (2011), pp. 1-10
- Uncategorised
Theater Photographs as a Source of Research on the Cultural Heritage of 2nd half of the 19º Century / Kędziora, Alicja
Kędziora, Alicja, «Theater Photographs as a Source of Research on the Cultural Heritage of 2nd half of the 19º Century». Zarzadzanie w Kulturze; Kraków, 15, 1, (2014), pp. 59-76
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Between Action and Image: Performance as ‘Inframedium’
Westerman, Jonah, «Between Action and Image: Performance as ‘Inframedium’», Tate, 2015. https://www.tate.org.uk/research/features/between-action-and-image Abstract What would it mean to think of performance as a medium? Or rather, what would it do to our usual modes of articulating performance art, its meanings and its histories? Other data Number of pages: ISBN: ISSN: DOI: URL: https://www.tate.org.uk/research/features/between-action-and-image Language: EN key: HH3LCMMZ
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Blow up: photography, cinema and the brain
Neidich, Warren, «Blow up: photography, cinema and the brain», , 2003 (www.warrenneeidich.com) AbstractThis paper explores the relationship between photography, cinema, and the evolving human brain, proposing that modern technological advancements in visual media have fundamentally transformed cultural interactions and perceptions. By tracing the historical development of optical technologies and their cultural implications, the study discusses how these technologies shape subjective experience and influence the neural organization of the brain. The author argues that contemporary imagery induces a dynamic understanding of space and time, suggesting that both the construction of culture and neural processes are continuously interlinked. Other data Number of pages:ISBN:ISSN:DOI:URL: https://www.academia.edu/947801/Blow_up_photography_cinema_and_the_brainLanguage: ENkey: 86PNWUUJ
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The Book of the Dance
Genthe, Arnold; O’Sheel, Shaemas, The Book of the Dance, Mitchell Kennerley, New York 1916 Abstract Other data Number of pages: 246 ISBN: ISSN: DOI: URL: Language: EN key: E5LJCTHJ
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Archaeologies of Presence
Giannachi, Gabriella; Kaye, Nick; Shanks, Michael; Kaye, Nick; Shanks, Michael, Archaeologies of Presence, Routledge, 2012 Abstract Archaeologies of Presence is a brilliant exploration of how the performance of presence can be understood through the relationships between performance theory Other data Number of pages: 19-44 ISBN: 978-0-203-12673-8 ISSN: DOI: URL: https://www.taylorfrancis.com/books/e/9780203126738 Language: EN key: 6PRXC75T
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Ainda. O livro como performance
Cadôr, Amir, Ainda. O livro como performance, , 2013 Abstract Catálogo da exposição realizada no MAP em 2012, edição bilingue, português/inglês. Other data Number of pages: 100 ISBN: 978-85-98964-16-4 ISSN: DOI: URL: https://www.academia.edu/10659126/O_livro_como_performance Language: PT/EN key: QCZ9SWUV
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The visual record: the case of Hamlet
Hodgdon, Barbara, The visual record: the case of Hamlet, in Wiles, David and Christine Dymkowski, The Cambridge Companion to Theatre History, Cambridge Companions Online, Cambridge 2012, pp. 246-266
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Looking for the expressive body through images: The infinite struggle against insignificance
Brilhante, Maria João, Looking for the expressive body through images: The infinite struggle against insignificance, in Vicente, Gustavo, Intensified Bodies from the Performing Arts in Portugal, Peter Lang, Bern, Switzerland 2017, pp. 229-266
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Images of jazz
Gabbard, Krin, Images of jazz, in Horn, David; Cooke, Mervyn, The Cambridge Companion to Jazz, Cambridge University Press, Cambridge 2003, pp. 332-346
