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Live and technologically mediated performance
Auslander, Philip, Live and technologically mediated performance, in Davis, Tracy C., The Cambridge Companion to Performance Studies, Cambridge University Press, Cambridge 2008, pp. 107-119
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Teatro Rivoli, Porto, 1996
Araújo, Nuno Borges de, Teatro Rivoli, Porto, 1996, in Almeida, Bernardo Pinto de, 3 + 3 olhares sobre o Rivoli, Porto: Teatro Rivoli - Culturgeste, Porto 1997, pp.
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The Performative Index : James VanDerZee, Roland Barthes, Lorna Simpson, and the Photographic Imagination
Smith, Shawn Michelle, The Performative Index : James VanDerZee, Roland Barthes, Lorna Simpson, and the Photographic Imagination, in , Photography and Imagination, Routledge, 2019, pp. 133-146
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Following Pieces: On Performative Photography
Iversen, Margaret, Following Pieces: On Performative Photography, in , Photography Theory, Routledge, 2013, pp. 101-118
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Still Living
Schneider, Rebecca, Still Living, in , Performing Remains - Art and War in Times of Theatrical Reenactment, Routledge, London 2011, pp. 151-181
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Bodies at the Threshold of the Visible : Photographic butoh
Marshall, Jonathan W., Bodies at the Threshold of the Visible : Photographic butoh, in , The Routledge Companion to Butoh Performance, Routledge, 2018, pp. 158-170
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Framing Brecht: Photography and Experiment in the Modellbuecher, “Arbeitsjournale”, and “Kriegsfibel”
Imbrigotta, Kristopher, «Framing Brecht: Photography and Experiment in the Modellbuecher, “Arbeitsjournale”, and “Kriegsfibel”». Ph.D., , Ann Arbor, United States 2013 Abstract Theater is not just a visual art form but also a performative and interactive one. Bertolt Brecht (1898-1956) developed an innovative theater aesthetic that engaged in distinct ways with visual imagery—especially photographs. These images were vital to both the performance aspect and dramaturgical reception of his craft. Photographs figure significantly in his prose and poetry as well as his essayistic work. While scholars have devoted attention to Brecht’s films and his work in other experimental media, few have addressed the fundamental questions I investigate: How does Brecht employ photography…
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Performance, Photography, Performativity: What Performance ‘does’ in the Still Image
Taylor, Allan S., «Performance, Photography, Performativity: What Performance ‘does’ in the Still Image». , , Abstract Auslander (2006) states that images generated from performance documentation and practices stemming from performance to camera could be considered ‘performative’ if they are meant to be seen as happening in the ‘now’ they are viewed, with the spectator as the current intended audience. This thesis takes Auslander’s supposition and situates the term performativity within an established academic discourse as a social, political or cultural ‘doing’ and questions what, apart from performing, performance ‘does’ in its transcription to a photographic image. I propose a ‘doing’ occurs because the intentional performance of a given act invokes…
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Theatre and Performance Photography: Documentation and the “unlive”
Anderson, Joel, «Theatre and Performance Photography: Documentation and the “unlive”». , Queen Mary, University of London, London 2008 Abstract Although theatre and performance photographs often illustrate scholarly works on theatre and performance, and despite recent interest in links between theatre and the still image from both theatre practitioners and theorists, there remains relatively little critical work on theatre photography. This thesis examines theatre photography, implementing approaches that are a departure from habitual conceptions of the photograph as document. Taking the intersection of theatre and photography as a vantage point, this thesis considers how photography might shape theatre rather than recording it, and how this might challenge notions of theatre’s constitution,…
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The Actor’s Image: Reading Representations in Nineteenth-Century American Theatrical Photography
Nacy, Philip Kellett, «The Actor’s Image: Reading Representations in Nineteenth-Century American Theatrical Photography». , U of Missouri, ColumbiaUMI, 2006 Abstract Other data Number of pages: 399 ISBN: ISSN: DOI: URL: http://search.ebscohost.com/login.aspx?direct=true&db=mlf&AN=2006654051&site=ehost-live&scope=site Language: EN key: PSGZF49S
