Performativity of photography
Performativity of photography
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The Performative Index : James VanDerZee, Roland Barthes, Lorna Simpson, and the Photographic Imagination
Smith, Shawn Michelle, The Performative Index : James VanDerZee, Roland Barthes, Lorna Simpson, and the Photographic Imagination, in , Photography and Imagination, Routledge, 2019, pp. 133-146
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Performance, Photography, Performativity: What Performance ‘does’ in the Still Image
Taylor, Allan S., «Performance, Photography, Performativity: What Performance ‘does’ in the Still Image». , , Abstract Auslander (2006) states that images generated from performance documentation and practices stemming from performance to camera could be considered ‘performative’ if they are meant to be seen as happening in the ‘now’ they are viewed, with the spectator as the current intended audience. This thesis takes Auslander’s supposition and situates the term performativity within an established academic discourse as a social, political or cultural ‘doing’ and questions what, apart from performing, performance ‘does’ in its transcription to a photographic image. I propose a ‘doing’ occurs because the intentional performance of a given act invokes…
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Theatre and Performance Photography: Documentation and the “unlive”
Anderson, Joel, «Theatre and Performance Photography: Documentation and the “unlive”». , Queen Mary, University of London, London 2008 Abstract Although theatre and performance photographs often illustrate scholarly works on theatre and performance, and despite recent interest in links between theatre and the still image from both theatre practitioners and theorists, there remains relatively little critical work on theatre photography. This thesis examines theatre photography, implementing approaches that are a departure from habitual conceptions of the photograph as document. Taking the intersection of theatre and photography as a vantage point, this thesis considers how photography might shape theatre rather than recording it, and how this might challenge notions of theatre’s constitution,…
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“Nem aqui nem lá”: rastros do feminino nas fotoperformances de Ana Mendieta / Wanderley, Olga da Costa Lima
Wanderley, Olga da Costa Lima, «“Nem aqui nem lá”: rastros do feminino nas fotoperformances de Ana Mendieta». Comunicação e Sociedade, 32, , (), pp. 305-317
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Diane Arbus: A Theatre of Amibguity / Alexander, M. Darsie
Alexander, M. Darsie, «Diane Arbus: A Theatre of Amibguity». History of Photography, 19, 2, (1995), pp. 120
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The Magic Lantern Slide in Entertainment and Education, 1860-1920 / Shepard, Elizabeth
Shepard, Elizabeth, «The Magic Lantern Slide in Entertainment and Education, 1860-1920». History of Photography, 11, 2, (1987), pp. 91
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Re: Staging the Trauma / Clark, Laurie Beth
Clark, Laurie Beth, «Re: Staging the Trauma». Performance Research, 24, 5, (2019), pp. 57-60
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What Good Are the Critics? Or How to Dance About Photography / Bell, Adam
Bell, Adam, «What Good Are the Critics? Or How to Dance About Photography». Afterimage; Berkeley, 41, 1, (2013), pp. 16-18
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A Musical Photograph? / Beaudoin, Richard; Kania, Andrew
Beaudoin, Richard; Kania, Andrew, «A Musical Photograph?». The Journal of Aesthetics and Art Criticism; Philadelphia, 70, 1, (2012), pp. 115-127
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The “eternal return”: Self-portrait photography as a technology of embodiment / Jones, Amelia
Jones, Amelia, «The "eternal return": Self-portrait photography as a technology of embodiment». Signs; Chicago, 27, 4, (2002), pp. 947-978