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Archival Theatre: Place and Performance in Early Twentieth-Century London / Robinson, Jennifer Claire
Robinson, Jennifer Claire, «Archival Theatre: Place and Performance in Early Twentieth-Century London». Early Popular Visual Culture, 14, 1, (2016), pp. 16-54
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“Quote the Words to Prompt the Attitudes”: The Victorian Performer, the Photographer, and the Photograph / Mayer, David
Mayer, David, «“Quote the Words to Prompt the Attitudes”: The Victorian Performer, the Photographer, and the Photograph». Theatre Survey, 43, 2, (2002), pp. 223-251
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Material Remains at Play / Hodgdon, Barbara
Hodgdon, Barbara, «Material Remains at Play». Theatre Journal, 64, 3, (2012), pp. 373-388
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The actress as photographic icon: from early photography to early film / Mayer, David
Mayer, David, «The actress as photographic icon: from early photography to early film». The Cambridge Companion to the Actress, , , (2007), pp. 74-94
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Unsettling Materialities: The Indexical Relationship of Photography and Theatre in Bodies in Flight’s Model Love / Jones, Simon; Dimsdale, Edward
Jones, Simon; Dimsdale, Edward, «Unsettling Materialities: The Indexical Relationship of Photography and Theatre in Bodies in Flight’s Model Love». Photography and Culture, 11, 2, (2018), pp. 153-167
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Photographs from the Glyndebourne Opera Archive, 1934–1939 / Williams, Val; Lardinois, Brigitte
Williams, Val; Lardinois, Brigitte, «Photographs from the Glyndebourne Opera Archive, 1934–1939». Photography and Culture, 2, 1, (2009), pp. 89-93
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Community, Narrativity, and Empowerment in Julia Margaret Cameron’s Photographic Reading of Shakespeare / Relihan, Constance C.
Relihan, Constance C., «Community, Narrativity, and Empowerment in Julia Margaret Cameron's Photographic Reading of Shakespeare». Upstart Crow: A Shakespeare Journal, 12, , (1992), pp. 41-59
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Refashioning Cordelia, Ophelia, and Juliet: The Strength of Julia Margaret Cameron’s Suffering Women / Parlin, Melissa
Parlin, Melissa, «Refashioning Cordelia, Ophelia, and Juliet: The Strength of Julia Margaret Cameron's Suffering Women». Selected Papers of the Ohio Valley Shakespeare Conference, 2, , (2008), pp. 30-42
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The Unmasking of Clichés: Photographs and Memory on Stage in Harold Pinter’s No Man’s Land / Marzola, Alessandra
Marzola, Alessandra, «The Unmasking of Clichés: Photographs and Memory on Stage in Harold Pinter's No Man's Land». GRAAT: Groupe de Recherches Anglo-Américaines de Tours, 16, , (1997), pp. 121-127
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Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells / Cairns, Jon
Cairns, Jon, «Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells». Contemporary Theatre Review, 22, 3, (2012), pp. 355
