Perphoto Biblio

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  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Uncategorised

    Looking and Being Looked At: Visualizing the Nineteenth-Century Spectator / Davis, Jim

    Davis, Jim, «Looking and Being Looked At: Visualizing the Nineteenth-Century Spectator». Theatre Journal, 69,  4, (2017), pp. 515-534

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  • Uncategorised

    Reading Publicity Photographs through the Elizabeth Robins Archive: How Images of the Actress and the Queen Constructed a New Sexual Ideal / Bonapfel, Elizabeth M.

    Bonapfel, Elizabeth M., «Reading Publicity Photographs through the Elizabeth Robins Archive: How Images of the Actress and the Queen Constructed a New Sexual Ideal». Theatre Survey, 57,  1, (2016), pp. 109-131

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  • Uncategorised

    Tableaux vivants : fantaisies photographiques victoriennes (1840-1880)

    Bajac, Quentin, Tableaux vivants : fantaisies photographiques victoriennes (1840-1880), Réunion des musées nationaux, Paris 1999 Abstract Other data Number of pages: ISBN: 2-7118-3866-8 ISSN: DOI: URL: Language: FR key: 49SZWTX7

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  • Uncategorised

    ‘Here Apparent’: Photography, History, and the Theatrical Unconscious

    Hodgdon, Barbara, 'Here Apparent': Photography, History, and the Theatrical Unconscious, in Pechter, Edward, Textual and Theatrical Shakespeare: Questions of Evidence, University of Iowa Press, 1996, pp. 181-209

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  • Stage Photography

    Mediated Presence: Performance Art and Technology

    Khalifeh, Soulaf, «Mediated Presence: Performance Art and Technology». , , Abstract The whole tendency of modern communication whether in the press, in advertising or in the high arts is towards participation in a process, rather than the apprehension of concepts. And this major revolution, intimately linked to technology, is one whose consequences have not begun to be studied although they have begun to be felt.” Recalling McLuhan’s words, this paper is an attempt to study the effects and consequences of technology and how it allowed performance artists greater flexibility in experimenting with space, time and representation, engaging in a social and institutional critique. The pertinent questions here are: how are…

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