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Rostos e poses no teatro português
Alvarez, José Carlos, Rostos e poses no teatro português, Museu Nacional do Teatro, Lisboa 2007 Abstract Other data Number of pages: 123 p. ISBN: 978-972-776-355-9 ISSN: DOI: URL: Language: PT key: M3G7DSKD
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True Fictions: Visionary Photography from the 70s to the Present
Guadagnini, Walter, True Fictions: Visionary Photography from the 70s to the Present, Silvana, 2021 Abstract Il volume è dedicato al fenomeno della staged photography, la tendenza che a partire dagli anni ottanta ha rivoluzionato il linguaggio fotografico. Attraverso oltre cento opere, il volume racconta come la fotografia abbia saputo raggiungere tra la fine del XX e gli inizi del XXI secolo vertici di fantasia e di invenzione prima affidate quasi esclusivamente al cinema e alla pittura. Pesci rossi che invadono le stanze, cascate di ghiaccio nei deserti, città inventate, Marilyn Monroe e Lady D. che fanno la spesa insieme: tutto questo può accadere grazie a veri e propri set cinematografici…
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Still Shakespeare and the Photography of Performance
Barnden, Sally, Still Shakespeare and the Photography of Performance, Cambridge University Press, Cambridge 2019 Abstract Still Shakespeare and the Photography of Performance examines the place of photography in the reception of the Shakespeare canon since the invention of the camera, looking at how photographic images have shaped perceptions of historicity, performance, and Shakespearean character, and how their dissemination has affected Shakespearean authority. Barnden reveals how photography has conditioned the reception of Shakespeare’s works in two key ways. Firstly, as a form of performance documentation, photographs shape the way individual performances are remembered and their positioning in relation to traditional and iconoclastic interpretations of the text. Secondly, photographs are vehicles of Shakespearean…
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Elisabete Mileu: performances 1981-82
Barbosa, Manoel, Elisabete Mileu: performances 1981-82, Symposium International d’Art Performance de Lyon (5th : 1983), 1983 Abstract Exhibiton catalogue realised for the Symposium International d’Art Performance de Lyon (5th : 1983) Other data Number of pages: 8 ISBN: ISSN: DOI: URL: https://www.si.edu/object/siris_sil_722697 Language: EN key: LYIZZECI
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Histories of Performance Documentation : Museum, Artistic, and Scholarly Practices
Giannachi, Gabriella; Westerman, Jonah; Westerman, Jonah, Histories of Performance Documentation : Museum, Artistic, and Scholarly Practices, Routledge, 2017 Abstract Histories of Performance Documentation traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events. From hybrid and interactive arts, to games and virtual and mixed reality performance, this collection investigates the burgeoning role of the performative in museum displays. Gabriella Giannachi and Jonah Westerman bring together interviews and essays by leading curators, conservators, artists and scholars from institutions including MoMA, Tate, SFMOMA and the Whitney, to examine a range of interdisciplinary practices that have influenced the field of…
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Liveness : Performance in a Mediatized Culture
Auslander, Philip, Liveness : Performance in a Mediatized Culture, Routledge, 2008 Abstract Liveness: Performance in a Mediatized Culture addresses what may be the single most important question facing all kinds of performance today. What is the status Other data Number of pages: ISBN: 978-0-203-93813-3 ISSN: DOI: URL: https://www.taylorfrancis.com/books/9780203938133 Language: en key: A2IQ6MQ7
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The darkroom : photography and the theatre of desire
Marsh, Anne, The darkroom : photography and the theatre of desire, Macmillan, Melbourne 2003 Abstract Anne Marsh’s treatise on the art of photography traces its theoretical underpinning from the early debates between the rationalists and the fantasists, through psychoanalytical interpretations, to the theatre of desire. She investigates the role of photography in ghostly performances’, the masking of desire’ and high camp aesthetics’ – through to performance art’ and the role of the photographer as a gender terrorist’ – as in the work of Del LaGrace Volcano. The study concludes with notable examples of postmodern photography as they have occurred in the Australian context. This ground-breaking work by a leading Monash…
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Photography as Performance : Message through Object and Picture
Briers, David; Arefin, Tony; Paley, Maureen; Butler, Susan; Briers, David; Arefin, Tony; Arefin, Tony; Paley, Maureen; Paley, Maureen; Butler, Susan, Photography as Performance : Message through Object and Picture, Victoria Miro, London, England 1986 Abstract Both the transcription of a discussion and an essay examine the development of the relationship between photography and performance. Works selected range from documentary to staged photography. Other data Number of pages: ISBN: 978-0-907797-28-9 ISSN: DOI: URL: https://e-artexte.ca/id/eprint/987/ Language: en key: AYBZRGDB
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Image Photograph
Lafia, Marc, Image Photograph, punctum books, Brooklyn, NY 2015 Abstract We no longer live in the society of the spectacle, passively seeing the world. Now we perform our very own spectacle in a society that demands it at every turn. We’ve become advertisements of ourselves, our own PR agents, continually putting on a performance and measuring it hour by hour. This is no longer the society of the spectacle but the society of performance. All events have become a pretense to create the image, to orchestrate an image of images that is us. We believe the image confers on us a kind of immortality: just as the artist believes her…
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Moving Images, Moving Bodies : The Poetics and Practice of Corporeality in Visual and Performing Arts
Avram, Horea, Moving Images, Moving Bodies : The Poetics and Practice of Corporeality in Visual and Performing Arts, Cambridge Scholars Publishing, 2018 Abstract The book comprises a series of contributions by international scholars and practitioners from different backgrounds researching in the fields of contemporary visual culture and performance studies. This collection addresses the issue of corporeality as a discursive field (which asks for a “poetics”), and the possible ways in which technology affects and is affected by the body in the context of recent artistic and theoretical developments. The common denominator of the contributions here is their focus on the relationship between body and image expressed as the connection between…
