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Artistas Unidos: Revista Nº 9, Novembro 2003
Silva Melo, Jorge, Artistas Unidos: Revista Nº 9, Novembro 2003, , 2003 Abstract Secção da Revista Fotografar teatro – Jorge Silva Melo: Fotografia de cena – António Pedro Ferreira: Pisar o palco – Carla Carvalho Tomás: Outras maneiras de ver – J. Marques: Quem é que está para ter muito trabalho? – João Paulo Dias: Passar despercebido – João Tuna: Representar a forma – Jorge Gonçalves: Mostrar outra imagem – José Manuel – Luísa Ferreira: Criar uma coisa paralela ao espectáculo – Paulo Cintra: Sempre na plateia Other data Number of pages: ISBN: ISSN: DOI: URL: https://artistasunidos.pt/no-9-novembro-2003/ Language: PT key: ZQDKK6YZ
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The Book of the Dance
Genthe, Arnold; O’Sheel, Shaemas, The Book of the Dance, Mitchell Kennerley, New York 1916 Abstract Other data Number of pages: 246 ISBN: ISSN: DOI: URL: Language: EN key: E5LJCTHJ
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Archaeologies of Presence
Giannachi, Gabriella; Kaye, Nick; Shanks, Michael; Kaye, Nick; Shanks, Michael, Archaeologies of Presence, Routledge, 2012 Abstract Archaeologies of Presence is a brilliant exploration of how the performance of presence can be understood through the relationships between performance theory Other data Number of pages: 19-44 ISBN: 978-0-203-12673-8 ISSN: DOI: URL: https://www.taylorfrancis.com/books/e/9780203126738 Language: EN key: 6PRXC75T
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Ainda. O livro como performance
Cadôr, Amir, Ainda. O livro como performance, , 2013 Abstract Catálogo da exposição realizada no MAP em 2012, edição bilingue, português/inglês. Other data Number of pages: 100 ISBN: 978-85-98964-16-4 ISSN: DOI: URL: https://www.academia.edu/10659126/O_livro_como_performance Language: PT/EN key: QCZ9SWUV
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La photographie au théâtre, XIXe-XXIe siècles
Joinnault, Brigitte, La photographie au théâtre, XIXe-XXIe siècles, Presses universitaires du Septentrion, Villeneuve d’Ascq 2021 Abstract La Photographie au théâtre proves that theatrical aesthetics have never ceased, for nearly 150 years, to be deeply influenced by the very existence of the photographic media, with its apparatus, its production processes, the flow of its images, its uses and techniques.,La Photographie au théâtre montre que les esthétiques et les imaginaires théâtraux ne cessent, depuis près de cent cinquante ans, d’être profondément travaillés par la photographie, avec ses techniques, ses appareils, ses processus de production, ses images, leurs usages et leurs circulations. Au fil de réflexions théoriques, d’analyses d’archives du dix-neuvième et de…
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Reactivations: Essays on Performance and Its Documentation
Auslander, Philip, Reactivations: Essays on Performance and Its Documentation, University of Michigan Press, 2018 Abstract Most people agree that witnessing a live performance is not the same as seeing it on screen; however, most of the performances we experience are in recorded forms. Some aver that the recorded form of a performance necessarily distorts it or betrays it, focusing on the relationship between the original event and its recorded versions. By contrast, Reactivations focuses on how the audience experiences the performance, as opposed to its documentation. How does a spectator access and experience a performance from its documentation? What is the value of performance documentation? The book treats performance documentation…
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Fabrications: staged, altered, and appropriated photographs
Hoy, Anne H., Fabrications: staged, altered, and appropriated photographs, Abbeville Press, New York 1987 Abstract Other data Number of pages: 207 ISBN: 978-0-89659-751-8 ISSN: DOI: URL: Language: key: RMMJ6D7S
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Performing for the camera
Baker, Simon, Performing for the camera, Tate Publishing, London 2016 Abstract The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well…
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Histories of Performance Documentation : Museum, Artistic, and Scholarly Practices
Giannachi, Gabriella; Westerman, Jonah; Westerman, Jonah, Histories of Performance Documentation : Museum, Artistic, and Scholarly Practices, Routledge, 2017 Abstract Histories of Performance Documentation traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events. From hybrid and interactive arts, to games and virtual and mixed reality performance, this collection investigates the burgeoning role of the performative in museum displays. Gabriella Giannachi and Jonah Westerman bring together interviews and essays by leading curators, conservators, artists and scholars from institutions including MoMA, Tate, SFMOMA and the Whitney, to examine a range of interdisciplinary practices that have influenced the field of…
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Liveness : Performance in a Mediatized Culture
Auslander, Philip, Liveness : Performance in a Mediatized Culture, Routledge, 2008 Abstract Liveness: Performance in a Mediatized Culture addresses what may be the single most important question facing all kinds of performance today. What is the status Other data Number of pages: ISBN: 978-0-203-93813-3 ISSN: DOI: URL: https://www.taylorfrancis.com/books/9780203938133 Language: en key: A2IQ6MQ7
