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Elisabete Mileu: performances 1981-82
Barbosa, Manoel, Elisabete Mileu: performances 1981-82, Symposium International d’Art Performance de Lyon (5th : 1983), 1983 Abstract Exhibiton catalogue realised for the Symposium International d’Art Performance de Lyon (5th : 1983) Other data Number of pages: 8 ISBN: ISSN: DOI: URL: https://www.si.edu/object/siris_sil_722697 Language: EN key: LYIZZECI
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Histories of Performance Documentation : Museum, Artistic, and Scholarly Practices
Giannachi, Gabriella; Westerman, Jonah; Westerman, Jonah, Histories of Performance Documentation : Museum, Artistic, and Scholarly Practices, Routledge, 2017 Abstract Histories of Performance Documentation traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events. From hybrid and interactive arts, to games and virtual and mixed reality performance, this collection investigates the burgeoning role of the performative in museum displays. Gabriella Giannachi and Jonah Westerman bring together interviews and essays by leading curators, conservators, artists and scholars from institutions including MoMA, Tate, SFMOMA and the Whitney, to examine a range of interdisciplinary practices that have influenced the field of…
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Liveness : Performance in a Mediatized Culture
Auslander, Philip, Liveness : Performance in a Mediatized Culture, Routledge, 2008 Abstract Liveness: Performance in a Mediatized Culture addresses what may be the single most important question facing all kinds of performance today. What is the status Other data Number of pages: ISBN: 978-0-203-93813-3 ISSN: DOI: URL: https://www.taylorfrancis.com/books/9780203938133 Language: en key: A2IQ6MQ7
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The darkroom : photography and the theatre of desire
Marsh, Anne, The darkroom : photography and the theatre of desire, Macmillan, Melbourne 2003 Abstract Anne Marsh’s treatise on the art of photography traces its theoretical underpinning from the early debates between the rationalists and the fantasists, through psychoanalytical interpretations, to the theatre of desire. She investigates the role of photography in ghostly performances’, the masking of desire’ and high camp aesthetics’ – through to performance art’ and the role of the photographer as a gender terrorist’ – as in the work of Del LaGrace Volcano. The study concludes with notable examples of postmodern photography as they have occurred in the Australian context. This ground-breaking work by a leading Monash…
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Art, lies and videotape: exposing performance
George, Adrian; Warr, Tracey; Goldberg, Roselee, Art, lies and videotape: exposing performance, London Tate Publishing, 2003 Abstract This catalogue was published on the occasion of the titled exhibition at Tate Liverpool from November 2003 to January 2004. It is the Tate’s first major exhibition devoted to the history and continuing significance of the radical art form, whether they are never recorded or are staged exclusively for the camera. Written by some of the world’s leading scholars of performance, the essays consider the complex relationship between ‘event’ and ‘object’, performance and document, and explore issues of artistic control and unconscious elements in performance events. Some of the most iconic moments of…
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Theatre & Stage Photography : A Guide to Capturing Images of Theatre, Dance, Opera, and Other Performance Events
Kenyon, William, Theatre & Stage Photography : A Guide to Capturing Images of Theatre, Dance, Opera, and Other Performance Events, Routledge, 2017 Abstract Documenting theatrical and stage events under the often dramatic lighting designed for the production provides a number of specific photographic challenges, and is unlike most every other branch of photography. Theatre & Stage Photography provides an overview of basic photography as it applies to “available-light” situations, and will move both basic and experienced photographers through the process of accurately capturing both the production process and the resultant performance. Other data Number of pages: ISBN: 978-1-315-27118-7 ISSN: DOI: URL: https://www.taylorfrancis.com/books/9781315271187 Language: en key: FSEA7DBI
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Morte e Espectralidade nas Artes e na Literatura
Bértolo, José; Guerreiro, Fernando, Morte e Espectralidade nas Artes e na Literatura, Húmus, 2019 Abstract Morte e Espectralidade nas Artes e na Literatura reúne um conjunto de ensaios nos quais se reflecte sobre as problemáticas da espectralidade e da morte nos campos da produção e da teorização das artes. Na primeira parte, procede-se à questionação e à análise de algumas configurações que o tópico da morte conheceu na literatura, na fotografia, no cinema, na literatura e nas artes de palco no decorrer dos últimos dois séculos. Num segundo momento, trata-se a espectralidade enquanto problema inerente à fotografia e ao pensamento crítico em torno desta arte, interrogando diversos pressupostos da representação…
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Theatre & photography
Anderson, Joel, Theatre & photography, Palgrave Macmillan, Basingstoke 2015 Abstract Examining the relationship between theatre and photography, this book shows how the two intertwine and provide vantage points for understanding each other. Joel Anderson explores the theory and practice of photographing theatre and performance, as well as theatre and photography’s mutual preoccupation with posing, staging, framing, and stillness. Table of contents Series Editors’ Preface Introduction 1. An Unknown Street Performer: theatre of photography 2. Photography Onstage 3. Theatre Photography 4. Brecht’s Photography and Theatre Conclusion Further Reading Index Other data Number of pages: 102 ISBN: 978-0-230-27671-0 ISSN: DOI: URL: Language: English key: 9PZKHYRW
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Acting the Part : Photography as Theatre
PAULI, Lori; WEISS, Marta; THOMAS, Ann; HENRY, Karen, Acting the Part : Photography as Theatre, Musée des beaux-arts du Canada / National Gallery of Canada / Merrell Publishers, Ottawa / London 2006 Abstract “Since the earliest days of photography, artists have directed models posing before the camera and, through the use of theatrical props, costumes, and lighting, have created “staged” photographs that tell a story. Acting the Part is the first major history of this enduring and highly creative branch of photography. Analysing key works, from Hippolyte Bayard’s 1840’s self-depiction as a suicide by drowning to Man Ray’s 1923 portrait of Marcel Duchamp posing as his alter ego Rrose Sélavy,…
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La Photographie de Théâtre ou la mémoire de l’éphémère
Meyer-Plantureux, Chantal; Dort, Bernard (introd.), La Photographie de Théâtre ou la mémoire de l’éphémère, Paris Audiovisuel, Paris 1992 Abstract An account of the relationship between photography and theatre, and of how this relationship has changed over the last decades. Other data Number of pages: 172 ISBN: 978-2-904732-51-5 ISSN: DOI: URL: Language: FR key: S4XC8EDM
