Photography on Stage
Photography on Stage
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Images of Eva Le Gallienne: Reflections of Androgyny / Schanke, Robert A.
Schanke, Robert A., «Images of Eva Le Gallienne: Reflections of Androgyny». Theatre Survey, 34, 2, (1993), pp. 43-54
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Descer até ao fundo, onde está o escuro / Wasterlain, Hélder
Wasterlain, Hélder, «Descer até ao fundo, onde está o escuro». Sinais de Cena, 13, , (2010), pp. 96-98
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Antídoto e método: práticas de investigação artística em contexto coreográfico / Coelho, Sílvia Pinto
Coelho, Sílvia Pinto, «Antídoto e método: práticas de investigação artística em contexto coreográfico». Sinais de Cena, , IV, (2020), pp. 40-64
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Eyes in Movement / Sanchez, José
Sanchez, José, «Eyes in Movement». Performance Research, 8, 4, (2003), pp. 92-99
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Bodies in Focus: Photography and Performativity in Post-Colonial Theatre / Gilbert, Helen
Gilbert, Helen, «Bodies in Focus: Photography and Performativity in Post-Colonial Theatre». Textual Studies in Canada, 10, 11, (1998), pp. 17-32
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Bodies at the Threshold of the Visible : Photographic butoh
Marshall, Jonathan W., Bodies at the Threshold of the Visible : Photographic butoh, in , The Routledge Companion to Butoh Performance, Routledge, 2018, pp. 158-170
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Photographie & Arts de la scène (Focales n° 3) : Éditorial
Chiarelli, Cosimo; Noirot, Julie, «Photographie & Arts de la scène (Focales n° 3) : Éditorial», http://focales.univ-st-etienne.fr, . https://focales.univ-st-etienne.fr/index.php?id=2597 Abstract Alors que l’on a beaucoup insisté, dans les histoires de la photographie, sur l’alliance entre photographie et peinture, celle qui unit photographie et arts du spectacle – qui resurgit de manière inédite et emblématique sur la scène artistique contemporaine – a pendant longtemps été quasiment ignorée pour ne pas dire méprisée. Si la photographie a très souvent été théorisée à partir du modèle pictural, les liens qu’elle tisse avec les arts de la scène, et en particulier avec le théâtre, sont pourtant dès l’origine multiples et féconds – que l’on pense, par exemple, au…
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Staging visibilities: Stanislavsky’s system, photography, and epistemologies of the body, 1870–1938
Kairschner, Shawn Travis, «Staging visibilities: Stanislavsky’s system, photography, and epistemologies of the body, 1870–1938». Ph.D., , Ann Arbor, United States 2007 Abstract This dissertation locates turn of the century acting techniques within a set of diagnostic discourses that strive to convert the body’s visible surfaces into legible signs of invisible psychic interiority. To facilitate the reading of somatic surfaces, these discourses deployed photographic imaging technologies capable of rendering the surface of the body transparent. I argue that the period’s foremost theater artists, notably Andre Antoine and Konstantin Stanislavsky, applied “photographic” diagnostics to their rehearsal processes and acting systems. These figures developed hermeneutic strategies that enabled actors, during rehearsals, to extrapolate…
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Framing Brecht: Photography and Experiment in the Modellbuecher, “Arbeitsjournale”, and “Kriegsfibel”
Imbrigotta, Kristopher, «Framing Brecht: Photography and Experiment in the Modellbuecher, “Arbeitsjournale”, and “Kriegsfibel”». Ph.D., , Ann Arbor, United States 2013 Abstract Theater is not just a visual art form but also a performative and interactive one. Bertolt Brecht (1898-1956) developed an innovative theater aesthetic that engaged in distinct ways with visual imagery—especially photographs. These images were vital to both the performance aspect and dramaturgical reception of his craft. Photographs figure significantly in his prose and poetry as well as his essayistic work. While scholars have devoted attention to Brecht’s films and his work in other experimental media, few have addressed the fundamental questions I investigate: How does Brecht employ photography…
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The Archive Effect: Archival Footage as an Experience of Reception / Baron, Jaimie
Baron, Jaimie, «The Archive Effect: Archival Footage as an Experience of Reception». Projections, 6, 2, (2012), pp. 102-120