Photography on Stage
Photography on Stage
-
“After All, This Terror Was Not Without Reason”: Unfiled Notes on the Atlas Group Archive / Lepecki, André
Lepecki, André, «"After All, This Terror Was Not Without Reason": Unfiled Notes on the Atlas Group Archive». TDR: The Drama Review, 50, 3, (2006), pp. 88-99
-
Researching Dance in the Wild: Brazilian Experiences / Greiner, Christine
Greiner, Christine, «Researching Dance in the Wild: Brazilian Experiences». TDR: The Drama Review, 51, 3, (2007), pp. 140-155
-
Performance Art and Its Documentation: A Photo/Video Essay / Marsh, Anne
Marsh, Anne, «Performance Art and Its Documentation: A Photo/Video Essay». About Performance; Sydney, , 8, (2008), pp. 15-29,233
-
Também foi assim que as coisas se passaram / Lança, Marta
Lança, Marta, «Também foi assim que as coisas se passaram». Sinais de Cena, , I, (2016), pp. 64-74
-
A Meditation on Stillness: Ann Carlson’s Picture Jasper Ridge / Vittori, Giulia
Vittori, Giulia, «A Meditation on Stillness: Ann Carlson's Picture Jasper Ridge». TDR: The Drama Review, 60, 2, (2016), pp. 83-102
-
Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi / Bacalzo, Dan
Bacalzo, Dan, «Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi». Theatre Journal, 53, 1, (2001), pp. 73-94
-
Images of Eva Le Gallienne: Reflections of Androgyny / Schanke, Robert A.
Schanke, Robert A., «Images of Eva Le Gallienne: Reflections of Androgyny». Theatre Survey, 34, 2, (1993), pp. 43-54
-
Descer até ao fundo, onde está o escuro / Wasterlain, Hélder
Wasterlain, Hélder, «Descer até ao fundo, onde está o escuro». Sinais de Cena, 13, , (2010), pp. 96-98
-
Antídoto e método: práticas de investigação artística em contexto coreográfico / Coelho, Sílvia Pinto
Coelho, Sílvia Pinto, «Antídoto e método: práticas de investigação artística em contexto coreográfico». Sinais de Cena, , IV, (2020), pp. 40-64
-
“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence / Jones, Amelia
Jones, Amelia, «“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence». TDR/The Drama Review, 55, 1, (2011), pp. 16-45