Photography on Stage
Photography on Stage
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Coffins and Cameras: A conversation with Sheree Rose / Scarborough, Klare
Scarborough, Klare, «Coffins and Cameras: A conversation with Sheree Rose». Performance Research, 15, 1, (2010), pp. 123-130
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The Pixelated Revolution / Mroué, Rabih; Nawfal, Ziad; Martin, Carol
Mroué, Rabih; Nawfal, Ziad; Martin, Carol, «The Pixelated Revolution». TDR: The Drama Review, 56, 3, (2012), pp. 18-35
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VB54: Black Tie vs. Black Face / Westcott, James
Westcott, James, «VB54: Black Tie vs. Black Face». TDR: The Drama Review, 49, 1, (2005), pp. 114-118
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Ibsen’s The Wild Duck, Life-Lies, and Photography / Han, Boon Young
Han, Boon Young, «Ibsen's The Wild Duck, Life-Lies, and Photography». The Explicator, 73, 3, (2015), pp. 173-176
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“After All, This Terror Was Not Without Reason”: Unfiled Notes on the Atlas Group Archive / Lepecki, André
Lepecki, André, «"After All, This Terror Was Not Without Reason": Unfiled Notes on the Atlas Group Archive». TDR: The Drama Review, 50, 3, (2006), pp. 88-99
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Researching Dance in the Wild: Brazilian Experiences / Greiner, Christine
Greiner, Christine, «Researching Dance in the Wild: Brazilian Experiences». TDR: The Drama Review, 51, 3, (2007), pp. 140-155
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Performance Art and Its Documentation: A Photo/Video Essay / Marsh, Anne
Marsh, Anne, «Performance Art and Its Documentation: A Photo/Video Essay». About Performance; Sydney, , 8, (2008), pp. 15-29,233
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Também foi assim que as coisas se passaram / Lança, Marta
Lança, Marta, «Também foi assim que as coisas se passaram». Sinais de Cena, , I, (2016), pp. 64-74
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A Meditation on Stillness: Ann Carlson’s Picture Jasper Ridge / Vittori, Giulia
Vittori, Giulia, «A Meditation on Stillness: Ann Carlson's Picture Jasper Ridge». TDR: The Drama Review, 60, 2, (2016), pp. 83-102
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Restaging Indigenous-Settler Relations: Intercultural Theatre as Redress Rehearsal in Marie Clements’s and Rita Leistner’s The Edward Curtis Project / Vellino, Brenda
Vellino, Brenda, «Restaging Indigenous-Settler Relations: Intercultural Theatre as Redress Rehearsal in Marie Clements's and Rita Leistner's The Edward Curtis Project». Theatre Research in Canada/Recherches Théâtrales au Canada, 38, 1, (2017), pp. 92-111