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“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence / Jones, Amelia
Jones, Amelia, «“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence». TDR/The Drama Review, 55, 1, (2011), pp. 16-45
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Da nossa necessidade de imagens / Costa, Emília
Costa, Emília, «Da nossa necessidade de imagens». Sinais de Cena, 16, , (2011), pp. 107-109
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Poética, documento, memória: Ballet, de Brodovitch / Carneiro, João
Carneiro, João, «Poética, documento, memória: Ballet, de Brodovitch». Sinais de Cena, 15, , (2011), pp. 86-88
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Still. Not Seen: exploring the artist’s hidden archive / McGillivray, Glen
McGillivray, Glen, «Still. Not Seen: exploring the artist’s hidden archive». About Performance #8 Still/Moving: Photography and Live Performance 2008, , 8, (2008), pp. 31-45
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Theatre, performance studies and photography: a history of permanent contamination / Vanhaesebrouck, Karel
Vanhaesebrouck, Karel, «Theatre, performance studies and photography: a history of permanent contamination». Visual Studies, 24, 2, (2009), pp. 97-106
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The Directorial Mode: Notes Toward a Definition / Coleman, A.D.
Coleman, A.D., «The Directorial Mode: Notes Toward a Definition». Artforum, , 15, (1976), pp. 55-61
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Eyes in Movement / Sanchez, José
Sanchez, José, «Eyes in Movement». Performance Research, 8, 4, (2003), pp. 92-99
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Still Moving: The Revelation or Representation of Dance in Still Photography / Reason, Matthew
Reason, Matthew, «Still Moving: The Revelation or Representation of Dance in Still Photography». Dance Research Journal, 35/36, 01, (2003), pp. 43-67
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Archive or Memory? The Detritus of Live Performance / Reason, Matthew
Reason, Matthew, «Archive or Memory? The Detritus of Live Performance». New Theatre Quarterly, 19, 1, (2003), pp. 82-89
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Photographing Titus Andronicus: Textual Fidelity, Spectacle, and the Performance Tradition / Barnden, Sally
Barnden, Sally, «Photographing Titus Andronicus: Textual Fidelity, Spectacle, and the Performance Tradition». Theatre Journal, 69, 4, (2017), pp. 555-571
