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Silêncio perfumado / Pereira, Ana
Pereira, Ana, «Silêncio perfumado». Sinais de Cena, 10, , (2008), pp. 37-48
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Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency / Jones, Amelia
Jones, Amelia, «Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency». TDR/The Drama Review, 59, 4, (2015), pp. 18-35
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Intermediality. Rethinking the Relationship between Theatre and Media / Balme, Christophe B
Balme, Christophe B, «Intermediality. Rethinking the Relationship between Theatre and Media». , , , (2004), pp. 18
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Simplesmente sentir… / Gonçalves, Jorge
Gonçalves, Jorge, «Simplesmente sentir…». Sinais de Cena, 14, , (2010), pp. 31-40
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Traces and Documents as Medial Transformations, or: How to Access Performance Art History / Büscher, Barbara
Büscher, Barbara, «Traces and Documents as Medial Transformations, or: How to Access Performance Art History». Stedelijk Studies, #3, , (2015), pp.
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Teatro Aberto, quarenta anos de imagens / Figueiredo, Filipe; Magalhães, Paula
Figueiredo, Filipe; Magalhães, Paula, «Teatro Aberto, quarenta anos de imagens». Sinais de Cena, , II, (2017), pp. 169-184
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Respirar fundo / Paiva, Susana
Paiva, Susana, «Respirar fundo». Sinais de Cena, 3, , (2005), pp. 24-34
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“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence / Jones, Amelia
Jones, Amelia, «“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence». TDR/The Drama Review, 55, 1, (2011), pp. 16-45
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Da nossa necessidade de imagens / Costa, Emília
Costa, Emília, «Da nossa necessidade de imagens». Sinais de Cena, 16, , (2011), pp. 107-109
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A cena em directo: A madrugada e o despertar da fotografia de cena / Figueiredo, Filipe
Figueiredo, Filipe, «A cena em directo: A madrugada e o despertar da fotografia de cena». Sinais de Cena, 18, , (2012), pp. 78-84
