-
“Quote the Words to Prompt the Attitudes”: The Victorian Performer, the Photographer, and the Photograph / Mayer, David
Mayer, David, «“Quote the Words to Prompt the Attitudes”: The Victorian Performer, the Photographer, and the Photograph». Theatre Survey, 43, 2, (2002), pp. 223-251
-
From Imperial Concubine to Model Maoist: The Photographic Metamorphosis of Mei Lanfang / Kim, Suk-Young
Kim, Suk-Young, «From Imperial Concubine to Model Maoist: The Photographic Metamorphosis of Mei Lanfang». Theatre Research International, 31, 1, (2006), pp. 37-53
-
Look At Me: Self-Portrait Photography After Cindy Sherman / Dalton, Jennifer
Dalton, Jennifer, «Look At Me: Self-Portrait Photography After Cindy Sherman». PAJ: A Journal of Performance and Art, 22, 3, (2000), pp. 47-56
-
Intermediality. Rethinking the Relationship between Theatre and Media / Balme, Christophe B
Balme, Christophe B, «Intermediality. Rethinking the Relationship between Theatre and Media». , , , (2004), pp. 18
-
Silêncio perfumado / Pereira, Ana
Pereira, Ana, «Silêncio perfumado». Sinais de Cena, 10, , (2008), pp. 37-48
-
Descer até ao fundo, onde está o escuro / Wasterlain, Hélder
Wasterlain, Hélder, «Descer até ao fundo, onde está o escuro». Sinais de Cena, 13, , (2010), pp. 96-98
-
Teatro Aberto, quarenta anos de imagens / Figueiredo, Filipe; Magalhães, Paula
Figueiredo, Filipe; Magalhães, Paula, «Teatro Aberto, quarenta anos de imagens». Sinais de Cena, , II, (2017), pp. 169-184
-
A cena em directo: A madrugada e o despertar da fotografia de cena / Figueiredo, Filipe
Figueiredo, Filipe, «A cena em directo: A madrugada e o despertar da fotografia de cena». Sinais de Cena, 18, , (2012), pp. 78-84
-
Little, Little Graves: Shakespeare’s Photographs of Richard II / Dailey, Alice
Dailey, Alice, «Little, Little Graves: Shakespeare's Photographs of Richard II». Shakespeare Quarterly, 69, 3, (2018), pp. 141-166
-
Simplesmente sentir… / Gonçalves, Jorge
Gonçalves, Jorge, «Simplesmente sentir…». Sinais de Cena, 14, , (2010), pp. 31-40