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“The Picture Postcard is a sign of the times”: Theatre Postcards and Modernism / Farfan, Peny
Farfan, Peny, «"The Picture Postcard is a sign of the times": Theatre Postcards and Modernism». Theatre History Studies, 32, 1, (2012), pp. 93-119
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“Quote the Words to Prompt the Attitudes”: The Victorian Performer, the Photographer, and the Photograph / Mayer, David
Mayer, David, «“Quote the Words to Prompt the Attitudes”: The Victorian Performer, the Photographer, and the Photograph». Theatre Survey, 43, 2, (2002), pp. 223-251
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Still Looking: Self-Love, Ethics, and Seeing Jewish / Levitt, Laura
Levitt, Laura, «Still Looking: Self-Love, Ethics, and Seeing Jewish». TDR: The Drama Review, 55, 3, (2011), pp. 100-109
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Passion and Posture in Early Dramatic Photographs / Hunter, Frederick J.
Hunter, Frederick J., «Passion and Posture in Early Dramatic Photographs». Theatre Survey, 5, 1, (1964), pp. 43-63
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An Aesthetic of Backstage Labor / Essin, Christin
Essin, Christin, «An Aesthetic of Backstage Labor». Theatre Topics; Baltimore, 21, 1, (2011), pp. 33-48
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From Imperial Concubine to Model Maoist: The Photographic Metamorphosis of Mei Lanfang / Kim, Suk-Young
Kim, Suk-Young, «From Imperial Concubine to Model Maoist: The Photographic Metamorphosis of Mei Lanfang». Theatre Research International, 31, 1, (2006), pp. 37-53
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Photography & Performance / Durant, Mark Alice
Durant, Mark Alice, «Photography & Performance». Aperture; Millerton, , 199, (2010), pp. 30-37
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The Theatrical Scrapbook / Marcus, Sharon
Marcus, Sharon, «The Theatrical Scrapbook». Theatre Survey, 54, 2, (2013), pp. 283-307
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American Modernism: Reimagining Martha Graham’s Lost Imperial Gesture (1935) / Jones, Kim
Jones, Kim, «American Modernism: Reimagining Martha Graham's Lost Imperial Gesture (1935)». Dance Research Journal, 47, 3, (2015), pp. 51-69
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An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India / SHARANYA
SHARANYA, «An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India». Theatre Research International, 44, 2, (2019), pp. 118-134
