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Pedro Soares: ao serviço do espectáculo desde 1983 / Figueiredo, Filipe; Magalhães, Paula
Figueiredo, Filipe; Magalhães, Paula, «Pedro Soares: ao serviço do espectáculo desde 1983». Sinais de Cena, , I, (2016), pp. 153-172
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The Image as an Event: The Lives of Images in M.#/0 Marseille and So Little Time / Coppens, Jeroen
Coppens, Jeroen, «The Image as an Event: The Lives of Images in M.#/0 Marseille and So Little Time». Forum Modernes Theater, 30, 1, (2019), pp. 47-59
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Encountering: The Conceptual Body, or a Theory of When, Where, and How Art “Means” / Jones, Amelia
Jones, Amelia, «Encountering: The Conceptual Body, or a Theory of When, Where, and How Art "Means"». TDR: The Drama Review, 62, 3, (2018), pp. 12-34
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An Aesthetic of Backstage Labor / Essin, Christin
Essin, Christin, «An Aesthetic of Backstage Labor». Theatre Topics; Baltimore, 21, 1, (2011), pp. 33-48
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“The Picture Postcard is a sign of the times”: Theatre Postcards and Modernism / Farfan, Peny
Farfan, Peny, «"The Picture Postcard is a sign of the times": Theatre Postcards and Modernism». Theatre History Studies, 32, 1, (2012), pp. 93-119
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Passion and Posture in Early Dramatic Photographs / Hunter, Frederick J.
Hunter, Frederick J., «Passion and Posture in Early Dramatic Photographs». Theatre Survey, 5, 1, (1964), pp. 43-63
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Look At Me: Self-Portrait Photography After Cindy Sherman / Dalton, Jennifer
Dalton, Jennifer, «Look At Me: Self-Portrait Photography After Cindy Sherman». PAJ: A Journal of Performance and Art, 22, 3, (2000), pp. 47-56
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Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi / Bacalzo, Dan
Bacalzo, Dan, «Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi». Theatre Journal, 53, 1, (2001), pp. 73-94
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Material Remains at Play / Hodgdon, Barbara
Hodgdon, Barbara, «Material Remains at Play». Theatre Journal, 64, 3, (2012), pp. 373-388
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“Quote the Words to Prompt the Attitudes”: The Victorian Performer, the Photographer, and the Photograph / Mayer, David
Mayer, David, «“Quote the Words to Prompt the Attitudes”: The Victorian Performer, the Photographer, and the Photograph». Theatre Survey, 43, 2, (2002), pp. 223-251
