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The Speed of Broken Light: A meditation on duration and performance / Hiebert, Ted
Hiebert, Ted, «The Speed of Broken Light: A meditation on duration and performance». Performance Research, 17, 5, (2012), pp. 82-91
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Of Last Things in Memento Mori: Silence, eternity and death / Kobialka, Michal
Kobialka, Michal, «Of Last Things in Memento Mori: Silence, eternity and death». Performance Research, 15, 1, (2010), pp. 131-139
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Hiroshi Sugimoto and the photography of theatre / Riordan, Kevin
Riordan, Kevin, «Hiroshi Sugimoto and the photography of theatre». Performance Research, 20, 2, (2015), pp. 102-111
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Material Remains at Play / Hodgdon, Barbara
Hodgdon, Barbara, «Material Remains at Play». Theatre Journal, 64, 3, (2012), pp. 373-388
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An Aesthetics of Interruption: Stagnation and Acceleration / Bal, Mieke; Christensen, Jeannette
Bal, Mieke; Christensen, Jeannette, «An Aesthetics of Interruption: Stagnation and Acceleration». ASAP/Journal, 4, 1, (2019), pp. 85-112
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Intermediality. Rethinking the Relationship between Theatre and Media / Balme, Christophe B
Balme, Christophe B, «Intermediality. Rethinking the Relationship between Theatre and Media». , , , (2004), pp. 18
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Blow up: photography, cinema and the brain
Neidich, Warren, «Blow up: photography, cinema and the brain», , 2003 (www.warrenneeidich.com) AbstractThis paper explores the relationship between photography, cinema, and the evolving human brain, proposing that modern technological advancements in visual media have fundamentally transformed cultural interactions and perceptions. By tracing the historical development of optical technologies and their cultural implications, the study discusses how these technologies shape subjective experience and influence the neural organization of the brain. The author argues that contemporary imagery induces a dynamic understanding of space and time, suggesting that both the construction of culture and neural processes are continuously interlinked. Other data Number of pages:ISBN:ISSN:DOI:URL: https://www.academia.edu/947801/Blow_up_photography_cinema_and_the_brainLanguage: ENkey: 86PNWUUJ
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The visual record: the case of Hamlet
Hodgdon, Barbara, The visual record: the case of Hamlet, in Wiles, David and Christine Dymkowski, The Cambridge Companion to Theatre History, Cambridge Companions Online, Cambridge 2012, pp. 246-266
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O insustentável desejo da memória : incursões na fotografia de teatro em Portugal (1868-1974)
Figueiredo, Filipe, «O insustentável desejo da memória : incursões na fotografia de teatro em Portugal (1868-1974)». Dissertação de Doutoramento em Estudos Artísticos, ramo de Estudos de Teatro, Universidade de Lisboa, Lisboa 2015 Abstract O presente estudo tem com objecto a produção de fotografia de teatro em Portugal entre 1868, data das primeiras fotografias, em série, associadas a uma determinada peça, e 1974, que corresponde, simultaneamente, à extinção da companhia Rey Colaço-Robles Monteiro (RC-RM) e ao fim do regime do Estado Novo. Neste contexto histórico, de aproximadamente cem anos, identificam-se as mais significativas práticas da fotografia de teatro, a partir de um vasto trabalho de levantamento e de sistematização de imagens…
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Memory texts and memory work: Performances of memory in and with visual media / Kuhn, Annette
Kuhn, Annette, «Memory texts and memory work: Performances of memory in and with visual media». Memory Studies, , , (), pp. 298–313
