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Bodies in Focus: Photography and Performativity in Post-Colonial Theatre / Gilbert, Helen
Gilbert, Helen, «Bodies in Focus: Photography and Performativity in Post-Colonial Theatre». Textual Studies in Canada, 10, 11, (1998), pp. 17-32
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Archive or Memory? The Detritus of Live Performance / Reason, Matthew
Reason, Matthew, «Archive or Memory? The Detritus of Live Performance». New Theatre Quarterly, 19, 1, (2003), pp. 82-89
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Still Moving: The Revelation or Representation of Dance in Still Photography / Reason, Matthew
Reason, Matthew, «Still Moving: The Revelation or Representation of Dance in Still Photography». Dance Research Journal, 35/36, 01, (2003), pp. 43-67
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Hybrid Europeana. Notes on theatre (photo) archives. / Vanhaesebrouck, Karel
Vanhaesebrouck, Karel, «Hybrid Europeana. Notes on theatre (photo) archives.». Image & Narrative. Online Magazine of the Visual Narrative, 15, 4, (2014), pp. 14-29
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The performativity of performance documentation / Auslander, Philip
Auslander, Philip, «The performativity of performance documentation». PAJ: a Journal of Performance and Art, 28, 3, (2006), pp. 1-10
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Photography as a Witness of Theatre / Dondero, Maria Giulia
Dondero, Maria Giulia, «Photography as a Witness of Theatre». Recherches sémiotiques, 28, 1-2, (2008), pp. 43-57
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Still. Not Seen: exploring the artist’s hidden archive / McGillivray, Glen
McGillivray, Glen, «Still. Not Seen: exploring the artist’s hidden archive». About Performance #8 Still/Moving: Photography and Live Performance 2008, , 8, (2008), pp. 31-45
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Between Action and Image: Performance as ‘Inframedium’
Westerman, Jonah, «Between Action and Image: Performance as ‘Inframedium’», Tate, 2015. https://www.tate.org.uk/research/features/between-action-and-image Abstract What would it mean to think of performance as a medium? Or rather, what would it do to our usual modes of articulating performance art, its meanings and its histories? Other data Number of pages: ISBN: ISSN: DOI: URL: https://www.tate.org.uk/research/features/between-action-and-image Language: EN key: HH3LCMMZ
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Blow up: photography, cinema and the brain
Neidich, Warren, «Blow up: photography, cinema and the brain», , 2003 (www.warrenneeidich.com) AbstractThis paper explores the relationship between photography, cinema, and the evolving human brain, proposing that modern technological advancements in visual media have fundamentally transformed cultural interactions and perceptions. By tracing the historical development of optical technologies and their cultural implications, the study discusses how these technologies shape subjective experience and influence the neural organization of the brain. The author argues that contemporary imagery induces a dynamic understanding of space and time, suggesting that both the construction of culture and neural processes are continuously interlinked. Other data Number of pages:ISBN:ISSN:DOI:URL: https://www.academia.edu/947801/Blow_up_photography_cinema_and_the_brainLanguage: ENkey: 86PNWUUJ
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Archaeologies of Presence
Giannachi, Gabriella; Kaye, Nick; Shanks, Michael; Kaye, Nick; Shanks, Michael, Archaeologies of Presence, Routledge, 2012 Abstract Archaeologies of Presence is a brilliant exploration of how the performance of presence can be understood through the relationships between performance theory Other data Number of pages: 19-44 ISBN: 978-0-203-12673-8 ISSN: DOI: URL: https://www.taylorfrancis.com/books/e/9780203126738 Language: EN key: 6PRXC75T
