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    Photography as Performance : Message through Object and Picture

    Briers, David; Arefin, Tony; Paley, Maureen; Butler, Susan; Briers, David; Arefin, Tony; Arefin, Tony; Paley, Maureen; Paley, Maureen; Butler, Susan, Photography as Performance : Message through Object and Picture, Victoria Miro, London, England 1986 Abstract Both the transcription of a discussion and an essay examine the development of the relationship between photography and performance. Works selected range from documentary to staged photography. Other data Number of pages: ISBN: 978-0-907797-28-9 ISSN: DOI: URL: https://e-artexte.ca/id/eprint/987/ Language: en key: AYBZRGDB

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  • Stage Photography

    Photography as Fiction

    Garcia, Erin C., Photography as Fiction, Getty Publications, The J. Paul Getty Museum, Los Angeles 2010 Abstract Other data Number of pages: ISBN: 978-1-60606-031-5 ISSN: DOI: URL: Language: EN key: MQ9J6EGL

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    True Fictions: Visionary Photography from the 70s to the Present

    Guadagnini, Walter, True Fictions: Visionary Photography from the 70s to the Present, Silvana, 2021 Abstract Il volume è dedicato al fenomeno della staged photography, la tendenza che a partire dagli anni ottanta ha rivoluzionato il linguaggio fotografico. Attraverso oltre cento opere, il volume racconta come la fotografia abbia saputo raggiungere tra la fine del XX e gli inizi del XXI secolo vertici di fantasia e di invenzione prima affidate quasi esclusivamente al cinema e alla pittura. Pesci rossi che invadono le stanze, cascate di ghiaccio nei deserti, città inventate, Marilyn Monroe e Lady D. che fanno la spesa insieme: tutto questo può accadere grazie a veri e propri set cinematografici…

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  • Uncategorised

    Point & shoot: performance and photography

    McGrath, Donald; Nemiroff, Diana; Thériault, Michèle; Tougas, Colette; Choinière, France; Barnard, Timothy, Point & shoot: performance and photography, Dazibao, Montréal 2005 Abstract The latest in Galerie Dazibao’s series of publications on “hybrid” photographie practices introduces a timely subject: the relation- ship between photography and performance in Canadian art. Presented from both historical and theoretical perspectives, the collection of writings attempts to clarify a dominant trend in contemporary photography that fuses theatre, video, and the still image. The book accompanies the two exhibitions and day of performances held at Galerie Dazibao and other locations in Mon- treal in the spring of 2004. Other data Number of pages: ISBN: 978-2-922135-26-8 ISSN: DOI:…

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  • Stage Photography

    Rrose is a rrose is a rrose : gender performance in photography

    Blessing, Jennifer; Halberstam, Judith, Rrose is a rrose is a rrose : gender performance in photography, New York, N.Y. : Guggenheim Museum, 1997 Abstract Catalog of an exhibition held at the Solomon R. Guggenheim Museum, New York, January 17-April 27, 1997; Includes bibliographical references and index; Exhibition 589 Other data Number of pages: 238 ISBN: ISSN: DOI: URL: http://archive.org/details/rroseisr00bles Language: eng key: TF7H6N3Q

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    Acting the Part : Photography as Theatre

    PAULI, Lori; WEISS, Marta; THOMAS, Ann; HENRY, Karen, Acting the Part : Photography as Theatre, Musée des beaux-arts du Canada / National Gallery of Canada / Merrell Publishers, Ottawa / London 2006 Abstract “Since the earliest days of photography, artists have directed models posing before the camera and, through the use of theatrical props, costumes, and lighting, have created “staged” photographs that tell a story. Acting the Part is the first major history of this enduring and highly creative branch of photography. Analysing key works, from Hippolyte Bayard’s 1840’s self-depiction as a suicide by drowning to Man Ray’s 1923 portrait of Marcel Duchamp posing as his alter ego Rrose Sélavy,…

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