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A collaborative methodology between photography and performance in ethnographically informed research / Hamer, Carla
Hamer, Carla, «A collaborative methodology between photography and performance in ethnographically informed research». Critical Arts, 30, 3, (2016), pp. 341-356
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O corpo em queda / Tércio, Daniel
Tércio, Daniel, «O corpo em queda». Sinais de Cena, 22, , (2014), pp. 87-91
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The Performance Space of the Photograph: From ‘The Anti-Photographers’ to ‘The Directorial Mode’ / Grant, Catherine
Grant, Catherine, «The Performance Space of the Photograph: From ‘The Anti-Photographers’ to ‘The Directorial Mode’». Re.Bus, , 5(Spring), (2010), pp.
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Documenting the Ephemeral: reconsidering the idea of presence in discussions on performance / Ayerbe, Nerea; Ayerbe, Nerea
Ayerbe, Nerea; Ayerbe, Nerea, «Documenting the Ephemeral: reconsidering the idea of presence in discussions on performance». Revista Brasileira de Estudos da Presença, 7, 3, (2017), pp. 551-572
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Performing the moment. (Essay) / Olson, Marisa S.
Olson, Marisa S., «Performing the moment. (Essay)». Afterimage, 30, 1, (2002), pp. 4
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Documenting Performance. Practice and Theories of Display / Parrott, Jack
Parrott, Jack, «Documenting Performance. Practice and Theories of Display». , , , (2014), pp. 13
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Notes on the Documentarity of Theatre Atelier Photography / Kędziora, Alicja
Kędziora, Alicja, «Notes on the Documentarity of Theatre Atelier Photography». ZARZĄDZANIE W KULTURZE, 13, 4, (2012), pp. 341-350
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Fabrications: staged, altered, and appropriated photographs
Hoy, Anne H., Fabrications: staged, altered, and appropriated photographs, Abbeville Press, New York 1987 Abstract Other data Number of pages: 207 ISBN: 978-0-89659-751-8 ISSN: DOI: URL: Language: key: RMMJ6D7S
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Performing for the camera
Baker, Simon, Performing for the camera, Tate Publishing, London 2016 Abstract The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well…
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The darkroom : photography and the theatre of desire
Marsh, Anne, The darkroom : photography and the theatre of desire, Macmillan, Melbourne 2003 Abstract Anne Marsh’s treatise on the art of photography traces its theoretical underpinning from the early debates between the rationalists and the fantasists, through psychoanalytical interpretations, to the theatre of desire. She investigates the role of photography in ghostly performances’, the masking of desire’ and high camp aesthetics’ – through to performance art’ and the role of the photographer as a gender terrorist’ – as in the work of Del LaGrace Volcano. The study concludes with notable examples of postmodern photography as they have occurred in the Australian context. This ground-breaking work by a leading Monash…
