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Little, Little Graves: Shakespeare’s Photographs of Richard II / Dailey, Alice
Dailey, Alice, «Little, Little Graves: Shakespeare's Photographs of Richard II». Shakespeare Quarterly, 69, 3, (2018), pp. 141-166
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Photographing Titus Andronicus: Textual Fidelity, Spectacle, and the Performance Tradition / Barnden, Sally
Barnden, Sally, «Photographing Titus Andronicus: Textual Fidelity, Spectacle, and the Performance Tradition». Theatre Journal, 69, 4, (2017), pp. 555-571
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The visual record: the case of Hamlet
Hodgdon, Barbara, The visual record: the case of Hamlet, in Wiles, David and Christine Dymkowski, The Cambridge Companion to Theatre History, Cambridge Companions Online, Cambridge 2012, pp. 246-266
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Analysing the Meta-Archive Arianna—‘Shakespeariana’: Research and Teaching Opportunities with the Iconographical Database / Pietrini, Sandra; Piergiacomi, Enrico
Pietrini, Sandra; Piergiacomi, Enrico, «Analysing the Meta-Archive Arianna—‘Shakespeariana’: Research and Teaching Opportunities with the Iconographical Database». Humanities; Basel, 8, 2, (2019), pp.
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Community, Narrativity, and Empowerment in Julia Margaret Cameron’s Photographic Reading of Shakespeare / Relihan, Constance C.
Relihan, Constance C., «Community, Narrativity, and Empowerment in Julia Margaret Cameron's Photographic Reading of Shakespeare». Upstart Crow: A Shakespeare Journal, 12, , (1992), pp. 41-59
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Still Shakespeare and the Photography of Performance
Barnden, Sally, Still Shakespeare and the Photography of Performance, Cambridge University Press, Cambridge 2019 Abstract Still Shakespeare and the Photography of Performance examines the place of photography in the reception of the Shakespeare canon since the invention of the camera, looking at how photographic images have shaped perceptions of historicity, performance, and Shakespearean character, and how their dissemination has affected Shakespearean authority. Barnden reveals how photography has conditioned the reception of Shakespeare’s works in two key ways. Firstly, as a form of performance documentation, photographs shape the way individual performances are remembered and their positioning in relation to traditional and iconoclastic interpretations of the text. Secondly, photographs are vehicles of Shakespearean…
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‘Here Apparent’: Photography, History, and the Theatrical Unconscious
Hodgdon, Barbara, 'Here Apparent': Photography, History, and the Theatrical Unconscious, in Pechter, Edward, Textual and Theatrical Shakespeare: Questions of Evidence, University of Iowa Press, 1996, pp. 181-209
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At the Cutting Edge. Interfaces Between Figure and Life
Smith, Bruce R., At the Cutting Edge. Interfaces Between Figure and Life, in , Shakespeare cut: rethinking cutwork in an age of distraction, Oxford University Press, Oxford ; New York, NY 2016, pp.
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Lewis Carroll and the Victorian Stage : Theatricals in a Quiet Life
Foulkes, Richard, Lewis Carroll and the Victorian Stage : Theatricals in a Quiet Life, Routledge, 2017 Abstract Author of the enduringly popular Alice books, mathematician, Anglican cleric, and pioneer photographer, Lewis Carroll maintained a lifelong enthusiasm for the theatre. Lewis Carroll and the Victorian Stage is the first book to focus on Carroll’s irresistible fascination with all things theatrical, from childhood charades and marionettes to active involvement in the dramatisation of Alice, influential contributions to the debate on child actors, and the friendship of leading players, especially Ellen Terry. As well as being a key to his complex and enigmatic personality, Carroll’s interest in the theatre provides a vivid account…
