-
Performance in Print: Channeling Tōmatsu Shōmei’s NO.541 / Ross, Julian; Stojković, Jelena
Ross, Julian; Stojković, Jelena, «Performance in Print: Channeling Tōmatsu Shōmei’s NO.541». Photography and Culture, 11, 2, (2018), pp. 181-196
-
The Theatricality of Grief / Wilson, Harry Robert
Wilson, Harry Robert, «The Theatricality of Grief». Performance Research, 24, 4, (2019), pp. 103-109
-
Pathos, Pathology and the Still-Mobile Image a Warburgian Reading of Held by Garry Stewart and Lois Greenfield / Marshall, Jonathan
Marshall, Jonathan, «Pathos, Pathology and the Still-Mobile Image a Warburgian Reading of Held by Garry Stewart and Lois Greenfield». About Performance; Sydney, , 8, (2008), pp. 180-206,233-234
-
Image and Performance / Yang, William; Lo, Jacqueline
Yang, William; Lo, Jacqueline, «Image and Performance». About Performance; Sydney, , 8, (2008), pp. 125-139,233,235
-
Coffins and Cameras: A conversation with Sheree Rose / Scarborough, Klare
Scarborough, Klare, «Coffins and Cameras: A conversation with Sheree Rose». Performance Research, 15, 1, (2010), pp. 123-130
-
Of Last Things in Memento Mori: Silence, eternity and death / Kobialka, Michal
Kobialka, Michal, «Of Last Things in Memento Mori: Silence, eternity and death». Performance Research, 15, 1, (2010), pp. 131-139
-
Hiroshi Sugimoto and the photography of theatre / Riordan, Kevin
Riordan, Kevin, «Hiroshi Sugimoto and the photography of theatre». Performance Research, 20, 2, (2015), pp. 102-111
-
Gina Pane’s Witnesses / Blessing, Jennifer
Blessing, Jennifer, «Gina Pane's Witnesses». Performance Research, 7, 4, (2002), pp. 14-26
-
Encountering: The Conceptual Body, or a Theory of When, Where, and How Art “Means” / Jones, Amelia
Jones, Amelia, «Encountering: The Conceptual Body, or a Theory of When, Where, and How Art "Means"». TDR: The Drama Review, 62, 3, (2018), pp. 12-34
-
VB54: Black Tie vs. Black Face / Westcott, James
Westcott, James, «VB54: Black Tie vs. Black Face». TDR: The Drama Review, 49, 1, (2005), pp. 114-118
