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Performance in Print: Channeling Tōmatsu Shōmei’s NO.541 / Ross, Julian; Stojković, Jelena
Ross, Julian; Stojković, Jelena, «Performance in Print: Channeling Tōmatsu Shōmei’s NO.541». Photography and Culture, 11, 2, (2018), pp. 181-196
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Restaging Indigenous-Settler Relations: Intercultural Theatre as Redress Rehearsal in Marie Clements’s and Rita Leistner’s The Edward Curtis Project / Vellino, Brenda
Vellino, Brenda, «Restaging Indigenous-Settler Relations: Intercultural Theatre as Redress Rehearsal in Marie Clements's and Rita Leistner's The Edward Curtis Project». Theatre Research in Canada/Recherches Théâtrales au Canada, 38, 1, (2017), pp. 92-111
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Traces and Documents as Medial Transformations, or: How to Access Performance Art History / Büscher, Barbara
Büscher, Barbara, «Traces and Documents as Medial Transformations, or: How to Access Performance Art History». Stedelijk Studies, #3, , (2015), pp.
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Ainda. O livro como performance
Cadôr, Amir, Ainda. O livro como performance, , 2013 Abstract Catálogo da exposição realizada no MAP em 2012, edição bilingue, português/inglês. Other data Number of pages: 100 ISBN: 978-85-98964-16-4 ISSN: DOI: URL: https://www.academia.edu/10659126/O_livro_como_performance Language: PT/EN key: QCZ9SWUV
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Bodies at the Threshold of the Visible : Photographic butoh
Marshall, Jonathan W., Bodies at the Threshold of the Visible : Photographic butoh, in , The Routledge Companion to Butoh Performance, Routledge, 2018, pp. 158-170
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Unsettling Materialities: The Indexical Relationship of Photography and Theatre in Bodies in Flight’s Model Love / Jones, Simon; Dimsdale, Edward
Jones, Simon; Dimsdale, Edward, «Unsettling Materialities: The Indexical Relationship of Photography and Theatre in Bodies in Flight’s Model Love». Photography and Culture, 11, 2, (2018), pp. 153-167
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À contrechamp, photographier le théâtre de ceux qui voient. Ito Josué et Louis Caterin pour Jean Dasté à la Comédie de Saint-Étienne (1948-1963).pdf / Cavallo, Valerie
Cavallo, Valerie, «À contrechamp, photographier le théâtre de ceux qui voient. Ito Josué et Louis Caterin pour Jean Dasté à la Comédie de Saint-Étienne (1948-1963).pdf». Revue internationale de PhotolittératurePhilt, 2, , (2018), pp.
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What Good Are the Critics? Or How to Dance About Photography / Bell, Adam
Bell, Adam, «What Good Are the Critics? Or How to Dance About Photography». Afterimage; Berkeley, 41, 1, (2013), pp. 16-18
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Photogenic acts / Qualls, Larry
Qualls, Larry, «Photogenic acts». Performing Arts Journal, 19, 1, (1997), pp. 118-122
- Uncategorised
The Anti-photographers / Foote, Nancy
Foote, Nancy, «The Anti-photographers». Artforum, 15, 1, (1976), pp.
