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Touching to See / Arnaud, Jean
Arnaud, Jean, «Touching to See». October, 114, , (2005), pp. 5-16
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Of Last Things in Memento Mori: Silence, eternity and death / Kobialka, Michal
Kobialka, Michal, «Of Last Things in Memento Mori: Silence, eternity and death». Performance Research, 15, 1, (2010), pp. 131-139
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Hiroshi Sugimoto and the photography of theatre / Riordan, Kevin
Riordan, Kevin, «Hiroshi Sugimoto and the photography of theatre». Performance Research, 20, 2, (2015), pp. 102-111
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Sleep, Laziness and Making / Wakefield, Nik
Wakefield, Nik, «Sleep, Laziness and Making». Performance Research, 21, 1, (2016), pp. 126-131
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An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India / SHARANYA
SHARANYA, «An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India». Theatre Research International, 44, 2, (2019), pp. 118-134
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Performance/Photography / Qualls, Larry
Qualls, Larry, «Performance/Photography». Performing Arts Journal, 17, 1, (1995), pp. 26
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Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi / Bacalzo, Dan
Bacalzo, Dan, «Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi». Theatre Journal, 53, 1, (2001), pp. 73-94
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“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence / Jones, Amelia
Jones, Amelia, «“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence». TDR/The Drama Review, 55, 1, (2011), pp. 16-45
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A cena em directo: A madrugada e o despertar da fotografia de cena / Figueiredo, Filipe
Figueiredo, Filipe, «A cena em directo: A madrugada e o despertar da fotografia de cena». Sinais de Cena, 18, , (2012), pp. 78-84
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Traces and Documents as Medial Transformations, or: How to Access Performance Art History / Büscher, Barbara
Büscher, Barbara, «Traces and Documents as Medial Transformations, or: How to Access Performance Art History». Stedelijk Studies, #3, , (2015), pp.
