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From Imperial Concubine to Model Maoist: The Photographic Metamorphosis of Mei Lanfang / Kim, Suk-Young
Kim, Suk-Young, «From Imperial Concubine to Model Maoist: The Photographic Metamorphosis of Mei Lanfang». Theatre Research International, 31, 1, (2006), pp. 37-53
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Photography & Performance / Durant, Mark Alice
Durant, Mark Alice, «Photography & Performance». Aperture; Millerton, , 199, (2010), pp. 30-37
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Still Looking: Self-Love, Ethics, and Seeing Jewish / Levitt, Laura
Levitt, Laura, «Still Looking: Self-Love, Ethics, and Seeing Jewish». TDR: The Drama Review, 55, 3, (2011), pp. 100-109
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Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency / Jones, Amelia
Jones, Amelia, «Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency». TDR/The Drama Review, 59, 4, (2015), pp. 18-35
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Teatro Aberto, quarenta anos de imagens / Figueiredo, Filipe; Magalhães, Paula
Figueiredo, Filipe; Magalhães, Paula, «Teatro Aberto, quarenta anos de imagens». Sinais de Cena, , II, (2017), pp. 169-184
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Images of Eva Le Gallienne: Reflections of Androgyny / Schanke, Robert A.
Schanke, Robert A., «Images of Eva Le Gallienne: Reflections of Androgyny». Theatre Survey, 34, 2, (1993), pp. 43-54
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Little, Little Graves: Shakespeare’s Photographs of Richard II / Dailey, Alice
Dailey, Alice, «Little, Little Graves: Shakespeare's Photographs of Richard II». Shakespeare Quarterly, 69, 3, (2018), pp. 141-166
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Intermediality. Rethinking the Relationship between Theatre and Media / Balme, Christophe B
Balme, Christophe B, «Intermediality. Rethinking the Relationship between Theatre and Media». , , , (2004), pp. 18
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Antídoto e método: práticas de investigação artística em contexto coreográfico / Coelho, Sílvia Pinto
Coelho, Sílvia Pinto, «Antídoto e método: práticas de investigação artística em contexto coreográfico». Sinais de Cena, , IV, (2020), pp. 40-64
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João Tuna 90-04: ficções fotográficas / Carvalho, Paulo Eduardo
Carvalho, Paulo Eduardo, «João Tuna 90-04: ficções fotográficas». Sinais de Cena, 1, , (2004), pp. 38-48
