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An Aesthetics of Interruption: Stagnation and Acceleration / Bal, Mieke; Christensen, Jeannette
Bal, Mieke; Christensen, Jeannette, «An Aesthetics of Interruption: Stagnation and Acceleration». ASAP/Journal, 4, 1, (2019), pp. 85-112
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Theatre Iconography: An Introduction / Erenstein, Robert L.
Erenstein, Robert L., «Theatre Iconography: An Introduction». Theatre Research International, 22, 3, (1997), pp. 185-189
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Reconnecting the Romantic Opera Repertoire: The Forgotten Stage Photographs of the Grand Théâtre de Gand / Forment, Bruno
Forment, Bruno, «Reconnecting the Romantic Opera Repertoire: The Forgotten Stage Photographs of the Grand Théâtre de Gand». Fontes Artis Musicae, 66, 4, (2019), pp. 336-352
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“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence / Jones, Amelia
Jones, Amelia, «“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence». TDR/The Drama Review, 55, 1, (2011), pp. 16-45
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Da nossa necessidade de imagens / Costa, Emília
Costa, Emília, «Da nossa necessidade de imagens». Sinais de Cena, 16, , (2011), pp. 107-109
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Poética, documento, memória: Ballet, de Brodovitch / Carneiro, João
Carneiro, João, «Poética, documento, memória: Ballet, de Brodovitch». Sinais de Cena, 15, , (2011), pp. 86-88
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A cena em directo: A madrugada e o despertar da fotografia de cena / Figueiredo, Filipe
Figueiredo, Filipe, «A cena em directo: A madrugada e o despertar da fotografia de cena». Sinais de Cena, 18, , (2012), pp. 78-84
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Imagens no feminino / Brilhante, Maria João
Brilhante, Maria João, «Imagens no feminino». Sinais de Cena, 21, , (2014), pp. 23-36
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Traces and Documents as Medial Transformations, or: How to Access Performance Art History / Büscher, Barbara
Büscher, Barbara, «Traces and Documents as Medial Transformations, or: How to Access Performance Art History». Stedelijk Studies, #3, , (2015), pp.
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Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency / Jones, Amelia
Jones, Amelia, «Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency». TDR/The Drama Review, 59, 4, (2015), pp. 18-35
