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Passion and Posture in Early Dramatic Photographs / Hunter, Frederick J.
Hunter, Frederick J., «Passion and Posture in Early Dramatic Photographs». Theatre Survey, 5, 1, (1964), pp. 43-63
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O corpo-câmera: / Delpeux, Sophie
Delpeux, Sophie, «O corpo-câmera:». Revista Visuais, 4, 6, (2018), pp. 86-100
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Performance/Photography / Qualls, Larry
Qualls, Larry, «Performance/Photography». Performing Arts Journal, 17, 1, (1995), pp. 26
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An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India / SHARANYA
SHARANYA, «An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India». Theatre Research International, 44, 2, (2019), pp. 118-134
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Early Photographic Attempts to Record Performance Sequence / Senelick, Laurence
Senelick, Laurence, «Early Photographic Attempts to Record Performance Sequence». Theatre Research International, 22, 3, (1997), pp. 255-264
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An Aesthetics of Interruption: Stagnation and Acceleration / Bal, Mieke; Christensen, Jeannette
Bal, Mieke; Christensen, Jeannette, «An Aesthetics of Interruption: Stagnation and Acceleration». ASAP/Journal, 4, 1, (2019), pp. 85-112
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Theatre Iconography: An Introduction / Erenstein, Robert L.
Erenstein, Robert L., «Theatre Iconography: An Introduction». Theatre Research International, 22, 3, (1997), pp. 185-189
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Reconnecting the Romantic Opera Repertoire: The Forgotten Stage Photographs of the Grand Théâtre de Gand / Forment, Bruno
Forment, Bruno, «Reconnecting the Romantic Opera Repertoire: The Forgotten Stage Photographs of the Grand Théâtre de Gand». Fontes Artis Musicae, 66, 4, (2019), pp. 336-352
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Look At Me: Self-Portrait Photography After Cindy Sherman / Dalton, Jennifer
Dalton, Jennifer, «Look At Me: Self-Portrait Photography After Cindy Sherman». PAJ: A Journal of Performance and Art, 22, 3, (2000), pp. 47-56
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Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi / Bacalzo, Dan
Bacalzo, Dan, «Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi». Theatre Journal, 53, 1, (2001), pp. 73-94
