Perphoto Biblio

  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Performed Photography

    Touching to See / Arnaud, Jean

    Arnaud, Jean, «Touching to See». October, 114,  , (2005), pp. 5-16

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  • Photography on Stage

    Of Last Things in Memento Mori: Silence, eternity and death / Kobialka, Michal

    Kobialka, Michal, «Of Last Things in Memento Mori: Silence, eternity and death». Performance Research, 15,  1, (2010), pp. 131-139

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  • Performed Photography,  Photography on Stage

    Encountering: The Conceptual Body, or a Theory of When, Where, and How Art “Means” / Jones, Amelia

    Jones, Amelia, «Encountering: The Conceptual Body, or a Theory of When, Where, and How Art "Means"». TDR: The Drama Review, 62,  3, (2018), pp. 12-34

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  • Performed Photography,  Photography on Stage

    Smoke Signals: Witnessing the Burning Art of Deb Margolin and Hannah Wilke / Zaytoun, Constance

    Zaytoun, Constance, «Smoke Signals: Witnessing the Burning Art of Deb Margolin and Hannah Wilke». TDR: The Drama Review, 52,  3, (2008), pp. 134-159

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  • Performed Photography

    An Aesthetics of Interruption: Stagnation and Acceleration / Bal, Mieke; Christensen, Jeannette

    Bal, Mieke; Christensen, Jeannette, «An Aesthetics of Interruption: Stagnation and Acceleration». ASAP/Journal, 4,  1, (2019), pp. 85-112

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  • Stage Photography

    Traces and Documents as Medial Transformations, or: How to Access Performance Art History / Büscher, Barbara

    Büscher, Barbara, «Traces and Documents as Medial Transformations, or: How to Access Performance Art History». Stedelijk Studies, #3,  , (2015), pp.

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  • Performativity of photography,  Photography on Stage,  Stage Photography

    Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency / Jones, Amelia

    Jones, Amelia, «Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency». TDR/The Drama Review, 59,  4, (2015), pp. 18-35

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  • Stage Photography

    Reflective Acts and Mirrored Images: Yayoi Kusama’s Narcissus Garden / Sullivan, Marin R.

    Sullivan, Marin R., «Reflective Acts and Mirrored Images: Yayoi Kusama’s Narcissus Garden». History of Photography, 39,  4, (2015), pp. 405-423

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  • Uncategorised

    An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation / Young, Gillian Turner

    Young, Gillian Turner, «An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation». TDR: The Drama Review, 58,  2, (2014), pp. 115-131

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  • Uncategorised

    Anne-Marie Boisvert, Manon Oligny, and Thomas Israël: Three Artists in Search of Cindy Sherman / Callens, Johan

    Callens, Johan, «Anne-Marie Boisvert, Manon Oligny, and Thomas Israël: Three Artists in Search of Cindy Sherman». TDR: The Drama Review, 54,  1, (2010), pp. 39-58

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