Stage Photography

Stage Photography

  • Stage Photography

    Photography as Fiction

    Garcia, Erin C., Photography as Fiction, Getty Publications, The J. Paul Getty Museum, Los Angeles 2010 Abstract Other data Number of pages: ISBN: 978-1-60606-031-5 ISSN: DOI: URL: Language: EN key: MQ9J6EGL

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  • Stage Photography

    Live Art on Camera: Performance and Photography

    Maude-Roxby, A.; Gallery, John Hansard, Live Art on Camera: Performance and Photography, John Hansard Gallery, 2007 Abstract Takes up the relatively unacknowledged centrality of professional photographers, filmmakers, and videographers in communicating the visual and conceptual elements of an otherwise ephemeral performance, from techniques of framing, lighting, and printing that, in themselves, determine understanding to the public reception of an action. Essays by Maude-Roxby, Kathy O’Dell, and Barbara Clausen Other data Number of pages: ISBN: 978-0-85432-875-8 ISSN: DOI: URL: https://books.google.pt/books?id=uS9ENQAACAAJ Language: key: T87RGX6S

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  • Stage Photography

    Rrose is a rrose is a rrose : gender performance in photography

    Blessing, Jennifer; Halberstam, Judith, Rrose is a rrose is a rrose : gender performance in photography, New York, N.Y. : Guggenheim Museum, 1997 Abstract Catalog of an exhibition held at the Solomon R. Guggenheim Museum, New York, January 17-April 27, 1997; Includes bibliographical references and index; Exhibition 589 Other data Number of pages: 238 ISBN: ISSN: DOI: URL: http://archive.org/details/rroseisr00bles Language: eng key: TF7H6N3Q

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  • Stage Photography

    Art, lies and videotape: exposing performance

    George, Adrian; Warr, Tracey; Goldberg, Roselee, Art, lies and videotape: exposing performance, London Tate Publishing, 2003 Abstract This catalogue was published on the occasion of the titled exhibition at Tate Liverpool from November 2003 to January 2004. It is the Tate’s first major exhibition devoted to the history and continuing significance of the radical art form, whether they are never recorded or are staged exclusively for the camera. Written by some of the world’s leading scholars of performance, the essays consider the complex relationship between ‘event’ and ‘object’, performance and document, and explore issues of artistic control and unconscious elements in performance events. Some of the most iconic moments of…

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  • Stage Photography

    Performance archives/archives of performance / edited by Gunhild Borggreen, Rune Gade.

    Borggreen, Gunhild, editor; Gade, Rune, 1964- editor, Performance archives/archives of performance / edited by Gunhild Borggreen, Rune Gade., Copenhagen : Museum Tusculanum Press, University of Copenhagen, 2013., 2013 Abstract Interdisciplinary and global in scope, Performing Archives/Archives of Performance investigates the relationship between live performance and recordings, bringing new—and productive—tensions between permanence and ephemerality into relief. Advancing theoretical understandings and analyzing specific artworks, performances, and archives, the contributors formulate new ways of understanding history, memory, enactment, and intervention, offering major contributions to ongoing critical discussions on performance and its disappearance and reproduction. Other data Number of pages: ISBN: ISSN: DOI: URL: Language: key: VDGBKED3

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    La Chambre claire: note sur la photographie

    Barthes, Roland, La Chambre claire: note sur la photographie, Cahiers du cinéma Gallimard Seuil, [Paris] 1980 Abstract FR FR-751131015 AFNOR intermrc Other data Number of pages: ISBN: 2-07-020541-X Br. 31 F ISSN: DOI: URL: http://gallica.bnf.fr/ark:/12148/bpt6k23780h Language: fre key: KVXYL4TV

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  • Stage Photography

    Et que dit ce silence ? la rhétorique du visible

    Surgers, Anne, Et que dit ce silence ? la rhétorique du visible, Presses Sorbonne nouvelle, Paris 2007 Abstract Before writing became the medium of thought and knowledge, image was an essential mean of discourse transmission. And What Does This Silence Say? is a tool for the reading and translation of this silent language: that of painting, architecture or stage design, when the image still constituted an autonomous discourse and not simply an illustration of the word. This volume is presented as a dictionary. Its reader selects his paths following his questionings and desires: is he interested by a rhetorical term’s meaning? Or by its use? Does he want to assess…

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