Stage Photography
Stage Photography
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Come si fotografa la scena / Bragaglia, Anton Giulio
Bragaglia, Anton Giulio, «Come si fotografa la scena». Comoedia, anno IX, n. 5 (20 maggio), (1927), pp.
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Theater Is Media: Some Principles for a Digital Historiography of Performance / Bay-Cheng, S.
Bay-Cheng, S., «Theater Is Media: Some Principles for a Digital Historiography of Performance». Theater, 42, 2, (), pp. 27-41
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Pro-photographic Gestures / Anderson, Joel; Leister, Wiebke
Anderson, Joel; Leister, Wiebke, «Pro-photographic Gestures». Photography and Culture, 11, 2, (2018), pp. 229-235
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Documenting Performance. Practice and Theories of Display / Parrott, Jack
Parrott, Jack, «Documenting Performance. Practice and Theories of Display». , , , (2014), pp. 13
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“Touching the body: performance, photography and print / Tocar el cuerpo: performance, fotografía y página impresa”, / Diego, Juan Albarrán
Diego, Juan Albarrán, «"Touching the body: performance, photography and print / Tocar el cuerpo: performance, fotografía y página impresa”,». Exit, , nº 69, (2018), pp.
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Postmodern Theatre, Imagery, and Photography: Perceptions of the Play / Tiehen, Jeanne
Tiehen, Jeanne, «Postmodern Theatre, Imagery, and Photography: Perceptions of the Play». , , , (), pp.
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Reactivations: Essays on Performance and Its Documentation
Auslander, Philip, Reactivations: Essays on Performance and Its Documentation, University of Michigan Press, 2018 Abstract Most people agree that witnessing a live performance is not the same as seeing it on screen; however, most of the performances we experience are in recorded forms. Some aver that the recorded form of a performance necessarily distorts it or betrays it, focusing on the relationship between the original event and its recorded versions. By contrast, Reactivations focuses on how the audience experiences the performance, as opposed to its documentation. How does a spectator access and experience a performance from its documentation? What is the value of performance documentation? The book treats performance documentation…
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Elisabete Mileu: performances 1981-82
Barbosa, Manoel, Elisabete Mileu: performances 1981-82, Symposium International d’Art Performance de Lyon (5th : 1983), 1983 Abstract Exhibiton catalogue realised for the Symposium International d’Art Performance de Lyon (5th : 1983) Other data Number of pages: 8 ISBN: ISSN: DOI: URL: https://www.si.edu/object/siris_sil_722697 Language: EN key: LYIZZECI
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Histories of Performance Documentation : Museum, Artistic, and Scholarly Practices
Giannachi, Gabriella; Westerman, Jonah; Westerman, Jonah, Histories of Performance Documentation : Museum, Artistic, and Scholarly Practices, Routledge, 2017 Abstract Histories of Performance Documentation traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events. From hybrid and interactive arts, to games and virtual and mixed reality performance, this collection investigates the burgeoning role of the performative in museum displays. Gabriella Giannachi and Jonah Westerman bring together interviews and essays by leading curators, conservators, artists and scholars from institutions including MoMA, Tate, SFMOMA and the Whitney, to examine a range of interdisciplinary practices that have influenced the field of…
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Photography as Fiction
Garcia, Erin C., Photography as Fiction, Getty Publications, The J. Paul Getty Museum, Los Angeles 2010 Abstract Other data Number of pages: ISBN: 978-1-60606-031-5 ISSN: DOI: URL: Language: EN key: MQ9J6EGL