Performed Photography
Performed Photography
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An Aesthetics of Interruption: Stagnation and Acceleration / Bal, Mieke; Christensen, Jeannette
Bal, Mieke; Christensen, Jeannette, «An Aesthetics of Interruption: Stagnation and Acceleration». ASAP/Journal, 4, 1, (2019), pp. 85-112
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Still Looking: Self-Love, Ethics, and Seeing Jewish / Levitt, Laura
Levitt, Laura, «Still Looking: Self-Love, Ethics, and Seeing Jewish». TDR: The Drama Review, 55, 3, (2011), pp. 100-109
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Performance/Photography / Qualls, Larry
Qualls, Larry, «Performance/Photography». Performing Arts Journal, 17, 1, (1995), pp. 26
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Look At Me: Self-Portrait Photography After Cindy Sherman / Dalton, Jennifer
Dalton, Jennifer, «Look At Me: Self-Portrait Photography After Cindy Sherman». PAJ: A Journal of Performance and Art, 22, 3, (2000), pp. 47-56
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Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi / Bacalzo, Dan
Bacalzo, Dan, «Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi». Theatre Journal, 53, 1, (2001), pp. 73-94
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Little, Little Graves: Shakespeare’s Photographs of Richard II / Dailey, Alice
Dailey, Alice, «Little, Little Graves: Shakespeare's Photographs of Richard II». Shakespeare Quarterly, 69, 3, (2018), pp. 141-166
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Theatre, performance studies and photography: a history of permanent contamination / Vanhaesebrouck, Karel
Vanhaesebrouck, Karel, «Theatre, performance studies and photography: a history of permanent contamination». Visual Studies, 24, 2, (2009), pp. 97-106
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The Directorial Mode: Notes Toward a Definition / Coleman, A.D.
Coleman, A.D., «The Directorial Mode: Notes Toward a Definition». Artforum, , 15, (1976), pp. 55-61
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Notas sobre a imagem encenada, paradigma reprovado da história da fotografia? / Poivert, Michel
Poivert, Michel, «Notas sobre a imagem encenada, paradigma reprovado da história da fotografia?». PORTO ARTE: Revista de Artes Visuais, 21, 35, (2017), pp.
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The performativity of performance documentation / Auslander, Philip
Auslander, Philip, «The performativity of performance documentation». PAJ: a Journal of Performance and Art, 28, 3, (2006), pp. 1-10