Performed Photography
Performed Photography
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The Theatre of Photography: Dialogues / Anderson, Joel; Leister, Wiebke
Anderson, Joel; Leister, Wiebke, «The Theatre of Photography: Dialogues». Photography & Culture, 11, 2, (2018), pp. 121-138
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The Image as an Event: The Lives of Images in M.#/0 Marseille and So Little Time / Coppens, Jeroen
Coppens, Jeroen, «The Image as an Event: The Lives of Images in M.#/0 Marseille and So Little Time». Forum Modernes Theater, 30, 1, (2019), pp. 47-59
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A Meditation on Stillness: Ann Carlson’s Picture Jasper Ridge / Vittori, Giulia
Vittori, Giulia, «A Meditation on Stillness: Ann Carlson's Picture Jasper Ridge». TDR: The Drama Review, 60, 2, (2016), pp. 83-102
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Archival Theatre: Place and Performance in Early Twentieth-Century London / Robinson, Jennifer Claire
Robinson, Jennifer Claire, «Archival Theatre: Place and Performance in Early Twentieth-Century London». Early Popular Visual Culture, 14, 1, (2016), pp. 16-54
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Restaging Indigenous-Settler Relations: Intercultural Theatre as Redress Rehearsal in Marie Clements’s and Rita Leistner’s The Edward Curtis Project / Vellino, Brenda
Vellino, Brenda, «Restaging Indigenous-Settler Relations: Intercultural Theatre as Redress Rehearsal in Marie Clements's and Rita Leistner's The Edward Curtis Project». Theatre Research in Canada/Recherches Théâtrales au Canada, 38, 1, (2017), pp. 92-111
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Performing Laughter: Duchenne’s Smile in the Light of Photographic Practice / Leister, Wiebke
Leister, Wiebke, «Performing Laughter: Duchenne's Smile in the Light of Photographic Practice». About Performance; Sydney, , 8, (2008), pp. 209-228,232
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Smoke Signals: Witnessing the Burning Art of Deb Margolin and Hannah Wilke / Zaytoun, Constance
Zaytoun, Constance, «Smoke Signals: Witnessing the Burning Art of Deb Margolin and Hannah Wilke». TDR: The Drama Review, 52, 3, (2008), pp. 134-159
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Encountering: The Conceptual Body, or a Theory of When, Where, and How Art “Means” / Jones, Amelia
Jones, Amelia, «Encountering: The Conceptual Body, or a Theory of When, Where, and How Art "Means"». TDR: The Drama Review, 62, 3, (2018), pp. 12-34
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An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India / SHARANYA
SHARANYA, «An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India». Theatre Research International, 44, 2, (2019), pp. 118-134
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An Aesthetics of Interruption: Stagnation and Acceleration / Bal, Mieke; Christensen, Jeannette
Bal, Mieke; Christensen, Jeannette, «An Aesthetics of Interruption: Stagnation and Acceleration». ASAP/Journal, 4, 1, (2019), pp. 85-112